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...ultimate irony. Since the 1980s, when Run-DMC attracted sponsorship from Adidas, the rap community has aspired to be big business. By the '90s, those aspirations had become a reality. In a 1999 cover story, TIME reported that with 81 million CDs sold, rap was officially America's top-selling music genre. The boom produced enterprises like Roc-A-Fella, which straddled fashion, music and film and in 2001 was worth $300 million. It produced moguls like No Limit's Master P and Bad Boy's Puff Daddy, each of whom in 2001 made an appearance on FORTUNE's list...

Author: /time Magazine | Title: Hip-hop's Down Beat | 8/17/2007 | See Source »

Despite all of the positive things Simmons has done over the years—he founded the influential Def Jam music label, signed legendary acts like Run-DMC and Public Enemy, started the Def Comedy and Def Poetry Jams, and recorded public service announcements denouncing anti-Semitism with current Def Jam president Shawn “Jay-Z” Carter—I’ve got a beef with him and his latest proposal...

Author: By Andrew C. Esensten | Title: My Beef With Russell Simmons | 5/3/2007 | See Source »

...weeks this spring, Panasonic had the world's smallest 10X optical-zoom camera. No larger than the average point-and-shoot, the Panasonic Lumix DMC-TZ1 has a single compact Leica lens that can crawl right up someone's nose, or at least up to it, at 20 paces. Though Panasonic's $350 camera is still available, Kodak has just usurped Panasonic's title of world's smallest 10X zoom camera...

Author: /time Magazine | Title: Kodak EasyShare V610 Camera | 4/26/2006 | See Source »

...fine song with an opening cribbed from Big Country, but Chris Martin's vocals were all over the place, even in the tremolo parts that he usually nails. On the plus side, Martin's all black outfit with gleaming white sneakers was a nice 20th anniversary tribute to Run DMC's Raising Hell...

Author: /time Magazine | Title: The Best and Worst of the Grammys | 2/9/2006 | See Source »

...decades of existence, “The Source” shaped the modern face of the genre. Before “The Source,” professional hip-hop criticism was nonexistent; only a handful of records (such as those of Public Enemy and Run-DMC) were seriously analyzed and treated as both art and entertainment, but even then were usually reviewed by critics specializing in rock...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Most Known Unknown: Why Harvard's Hip-Hop Needs to Sell Out | 2/9/2006 | See Source »

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