Word: dmitry
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Dates: during 1930-1939
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...laugh at itself. Technically as adept as Chapayev, with an equally good performance by Boris Chirkov (last month made an "Honorary Artist of the Republic"), The Youth of Maxim also contains a musical score and sound arrangements contributed by U. S. S. R.'s brilliant young composer. Dmitri Shostakovich (Lady Macbeth of Mzensk). It begins a trilogy which will carry the biography of Maxim up to the present time. Best sound: "Varshayianka," sung by workers in jail to infuriate their guards...
...poisoned mushrooms, died in wriggling agony. A merchant was smothered with a bed pillow and his corpse dragged into a cellar. A prostitute let out a blood-chilling scream as she was pushed to her death in an icy black lake. Yet as the heroine of Dmitri Shostakovich's Lady Macbeth of Mzensk (pronounced Muhzjensk), the woman responsible for these three atrocious murders was really a gentle soul whom only the sternest moralist would blame for her crimes...
...season. He swayed excitedly from side to side, made fierce faces at the players to bring out every last theatric effect. Scriabin's Divine Poem, stunningly bombastic, compelled an ovation for the hard-working Clevelander. But Rodzinski had still louder music: two entr'actes from Soviet Composer Dmitri Shostakovich's Lady Macbeth of Mtsensk...
Equally well selected were those who played the minor roles and who provided background for the story laid in imperial Russia about 1875. Anna Sten shows ability to act and is something more than a pleasing puppet. Her portrayal is sincere, charming, and natural. Frederic March does well as Dmitri and although at times we are conscious of his acting he turns in a splendid characterization that is moving and realistic. The director makes use of symbolism a great deal which at times is overdone but in some scenes is artistic and adds greatly to the interpretation of the story...
...pleasantly amazed at the skill with which one of Hollywood's most extravagant producers interprets Tolstoyan Socialism. Instead of being, like the two previous versions, the old tale of young love reunited, We Live Again is comparatively faithful to its Russian original. In the earlier sequences where young Prince Dmitri Nekhlyudov (Fredric March) goes to church with Peasant Katusha Maslova (Anna Sten), before seducing her in a greenhouse. Director Rouben Mamoulian allows his fondness for his scene to delay his story. Later, when Dmitri, a bearded patrician in the jury box, again meets Katusha, a prostitute accused of murder...