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...ovation they received after this concert last night. Starting off enthusiastically with Haydn's Symphony No. 88, they combined with the Glee Club and Choral Society in a vigorous playing of the Bach Magnificat, and capped the evening with a rousing, rafter-knocking performance of the Fifth Symphony of Dmitri Shostakovitch. The Orchestra members proved that inspired, as they were last night, they can do a fine job with a difficult program...

Author: By F. BRUCE Lewis, | Title: Orchestra-Glee Club Concert | 12/7/1950 | See Source »

Joliot-Curie, French atom scientist, Russian Writer Ilya Ehrenburg and Russian Composer Dmitri Shostakovich. One delegate to get through was Pablo Picasso, Spanish-born painter. "C'est terrible" cried Picasso, describing the thorough security screening of congress delegates arriving on cross-channel steamers...

Author: /time Magazine | Title: Foreign News: C'esf Terrible | 11/20/1950 | See Source »

...Izvestia, the Communist house organ which has often belabored him for "groveling before the West," Soviet Composer Dmitri Shostakovich obligingly picked his own "rogue's gallery of warmongers": Novelists John (Grapes of Wrath) Steinbeck and oldtime Socialist

Author: /time Magazine | Title: The Hemisphere: The Hemisphere, Jul. 17, 1950 | 7/17/1950 | See Source »

...years Dmitri Shostakovich had been trying to "reconstruct" his composing to make his music fall more sweetly on the Kremlin ear. It seemed that was not enough. Last week he was told how fast he should compose. Complained the Soviet Composers Union in Pravda: Shostakovich had not worked hard enough to finish his new opera on the 1917 Russian Revolution, October. While comradely criticisms were being passed around, piped Pravda, the Composers Union had shown too much "complacency" about the whole matter itself...

Author: /time Magazine | Title: Music: Hurry Up, Shosty | 6/5/1950 | See Source »

Ever since Dmitri Shostakovich was clapped into the doghouse by his Kremlin masters two years ago (TIME, Feb. 23, 1948), he had been slowly nuzzling his way out. He had publicly recanted his "bourgeois formalism" and promised to do what was expected of him. Ten months later, he finally got a friendly pat and a few kind words from Izvestia and Pravda for his score for the movie Young Guard. Last week, he was the top Soviet composer once again. For his oratorio, Song...

Author: /time Magazine | Title: Music: Out of the Kennel | 3/20/1950 | See Source »

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