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DIED. ADOLPHUS ("Doc") CHEATHAM, 91, late-blooming trumpeter; in Washington. Once an understudy for Louis Armstrong, Doc became a leading sideman of the swing era. His buttery lyricism and witty improvisations played better with age. By his seventh decade, he had grown into his trademark stance--trumpet held high, pointed to the heavens...
...jazz equivalent of stunt casting: Verve has just released an album that teams Nicholas Payton, a 23-year-old Wynton Marsalis protege, with Doc Cheatham, a slightly older trumpet player, one who cut his teeth with the likes of Ma Rainey and Cab Calloway. Doc 's 91. The tunes here are standards, many of them--like Black and Blue--part of Louis Armstrong's repertoire; all are played in a straight-ahead New Orleans style. But one's suspicion that the result might be dutiful and dull, the musical equivalent of a five-part series in the New York Times...
...house" guests of craftswoman Celita Scarborough-Donaghey, spending nights in decorative teepees (each sleeps 10). They will eat native food like Apache posole (hominy and meat), learn craftmaking and native dances, listen to ancestral tales told by native storytellers and take a medicinal-herb walk. The family of Doc Tate Nevaquaya, the famed Comanche flutist, will show them how to make the wood instrument on which he played the unwritten, melodic music of his ancestors. At the Sac and Fox Powwow, members of Vetter's group will talk with representatives of tribes from all over North America. And if their...
MUSIC . . . DOC CHEATHAM & NICHOLAS PAYTON: It?s the jazz equivalent of stunt casting: Verve has just released an album that teams Nicholas Payton, a 23-year-old Wynton Marsalis prot?g?, with Doc Cheatham, a slightly older trumpet player, one who cut his teeth with the likes of Ma Rainey and Cab Calloway. Doc ?s 91. The tunes here, writes TIME?s Bruce Handy, are standards, many of them -- like Black and Blue -- part of Louis Armstrong?s repertoire; all are played in a straight-ahead New Orleans style. But one?s suspicion that the result might be dutiful and dull...
That would be Val Kilmer the meticulous student of each role he plays, from randy Jim Morrison in The Doors to the courtly, consumptive Doc Holliday in Tombstone. On that night in Australia, says Noyce, "he was already acting the role of the Saint." Later Noyce and scriptwriter Wesley Strick trekked to South Africa, where Kilmer was shooting another film. "Let's go," the actor greeted them. He hopped into a Land Rover and, steering wheel in one hand, cigarette in the other, drove them madly across dirt roads to a distant campsite where he was living in a tent...