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...started with a cartoon drawing: a cluster of gaily colored party balloons held by a cranky old man, his eyes asquint, as if daring any kid to take one. Pete Docter's sketch, made back in '04, suggested another droll innovation at Pixar, a studio proud of taking risks in a traditional genre; mean and old are words rarely attached to the main character in an animated feature. But Docter, 40, who'd done the 2001 Monsters, Inc., and his co-director and co-writer Bob Peterson didn't want just to have fun with the elderly gent. They would...

Author: /time Magazine | Title: Up, Up and Away: Another New High for Pixar | 5/28/2009 | See Source »

...Those, you might say, were the compass points of last summer's Pixar wonder WALL-E, of which Docter was the original director (before handing the project to Andrew Stanton). There are other similarities between that futurist galactic epic and Up, which arrives in North American theaters Friday after its rapturous reception two weeks ago as the opening-night attraction at the Cannes Film Festival. Both movies are about lonely creatures - a droid left on Earth, a man whose cherished wife has died - taking a perilous trip. Both protagonists are stout and box-shaped and don't talk much. Both...

Author: /time Magazine | Title: Up, Up and Away: Another New High for Pixar | 5/28/2009 | See Source »

...Croisette, the beach-front street that serves as the main artery for the Cannes Film Festival, is festooned with balloons of a dozen colors, dotting the cloudless sky. The display is a promotion for this year's premier feature, Peter Docter's Pixar film Up, shown in 3D (a first for Cannes opening night). But the balloons might also be celebrating the high expectations for the official slate of films at Cannes 2009. To paraphrase Stephen Colbert's frequently asked question about George W. Bush: Will this be a great Cannes? Or the greatest Cannes...

Author: /time Magazine | Title: Cannes 2009: Great — or the Greatest — Festival? | 5/13/2009 | See Source »

Most movie directors have individual contracts with their studios; the Pixar directors are employees of the company, contributing on all studio projects. The so-called Brain Trust--Lasseter, Bird and Stanton, along with directors Lee Unkrich, Bob Peterson, Brenda Chapman, Pete Docter and Gary Rydstrom and one recent recruit, Little Miss Sunshine writer Michael Arndt--convenes regularly to spitball ideas and, Lasseter says, "help one another make these films. We're very honest...

Author: /time Magazine | Title: Savoring Pixar's Ratatouille | 6/7/2007 | See Source »

...swell year for computer-generated cartoons. Shrek and Monsters, Inc. each had heart, spot-on gags and $200 million-plus domestic grosses. But if my desert island had a giant movie theater (or a DVD player), I'd choose the latest miracle from director Pete Docter and the Pixar crowd. This is a buddy movie and a daddy movie, about two creatures who inadvertently adopt a nosy little girl. It's got pictorial dazzle and an uncommon generosity of spirit, and it ends with the sweetest, rightest shot of the movie year...

Author: /time Magazine | Title: Cinema | 12/24/2001 | See Source »

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