Word: doctor
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Dates: during 1990-1999
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...will react to all this is unclear. US Healthcare (now merged with Aetna) and some Blue Cross/Blue Shield plans helped bankroll three of the recent studies, an act of good corporate citizenship that seemed to signal a willingness to keep paying for transplant treatments in breast-cancer cases. A doctor working with Kaiser-Permanente, the nation's largest HMO, offers more direct reassurance. "It will be up to the doctor and the patient," predicts oncologist Louis Fehrenbacher...
...comes to visit "Henry" in his grotesquely medieval living-space. She brings her friend Baron Belcredi (Tom Price '02), her daughter Frida (Marianne Cook '02) and a psychiatrist (Matthew Carlson) who intends to study "Henry" and attempt to cure him. Matilda and Belcredi explain the scenario to the doctor and to us before entering Henry's masquerade along with the madman's attendants (Luvh Rakhe '01, Michael Katherine Haynie '99, Mimi Asnes '02, Morgan Goulet '00). After observing "Henry" in action, the doctor conceives a plan for curing his madness...
...central figure in all this is Henry. He is a dynamo, constantly moving in and out of his "reality," constantly challenging his audence's ideas of "onstage" and "offstage." His view of the world seems at first childlike--as the doctor notes--but it steadily gains momentum and substance, building up to an explosion in which Henry reveals the truth. He is not mad and has not been for several years; rather, he feigns insanity in order to "tear off the comic masks" from the faces of others and to "reveal all their trappings as mere disguises." For Henry, life...
...comes to visit "Henry" in his grotesquely medieval living-space. She brings her friend Baron Belcredi (Tom Price '02), her daughter Frida (Marianne Cook '02) and a psychiatrist (Matthew Carlson) who intends to study "Henry" and attempt to cure him. Matilda and Belcredi explain the scenario to the doctor and to us before entering Henry's masquerade along with the madman's attendants (Luvh Rakhe '01, Michael Katherine Haynie '99, Mimi Asnes '02, Morgan Goulet '00). After observing "Henry" in action, the doctor conceives a plan for curing his madness...
...central figure in all this is Henry. He is a dynamo, constantly moving in and out of his "reality," constantly challenging his audience’s ideas of "onstage" and "offstage." His view of the world seems at first childlike--as the doctor notes--but it steadily gains momentum and substance, building up to an explosion in which Henry reveals the truth. He is not mad and has not been for several years; rather, he feigns insanity in order to "tear off the comic masks" from the faces of others and to "reveal all their trappings as mere disguises...