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Word: docudramas (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Playwright Pomerance has been scrupulously conscientious about the facts. Even so, The Elephant Man is more than docudrama. It is lofted on poetic wings and nests in the human heart. The production, in the off-Broadway Theater of St. Peter's Church (in Manhattan's Citicorp Building), is done with impeccable taste and graced with skilled key performances that equal or surpass anything to be seen at present in the New York theater. Displaying no cosmetically applied malignancies, Philip Anglim 's Merrick is like some sort of simple, twisted saint...

Author: /time Magazine | Title: Theater: Freak No More | 1/29/1979 | See Source »

Elie Wiesel hated it. NBC'S 9½-hour docudrama, Holocaust, so offended the author and survivor (Buchenwald, Auschwitz) that he wrote: "Untrue, offensive, cheap: as a TV production, the film is an insult to those who perished and to those who survived. What you have seen on the screen is not what happened there." But Wiesel has written almost obsessively about the Holocaust; he has a kind of morally proprietary passion about it. He is a keeper of the flame, a visionary who sees the past as intensely as a prophet sees the future. Many more Americans seemed...

Author: /time Magazine | Title: Time Essay: Television and the Holocaust | 5/1/1978 | See Source »

Like Roots, Holocaust is neither documentary nor docudrama, but a fictionalized interpretation of real events. Its dramatic structure is simple: Writer Gerald Green has invented a bourgeois family of assimilated Jewish Berliners and then propelled its members through the events of 1935-45. Shortly after the show opens, the head of the Weiss family, a doctor played by Fritz Weaver, is exiled from Berlin to the Warsaw Ghetto. His wife (Rosemary Harris) soon follows, and eventually the couple end up in Auschwitz. The oldest Weiss son (James Woods), an artist, marries a Roman Catholic (Meryl Streep), only to be sent...

Author: /time Magazine | Title: Television: Reliving the Nazi Nightmare | 4/17/1978 | See Source »

...debated entertainment. When ABC let loose with its twelve-hour Watergate roman à clef, Washington: Behind Closed Doors, last fall, half the critics and columnists in the country attacked the mini-series for playing fast and loose with recent political fact. Then the same network aired a so-called docudrama, The Trial of Lee Harvey Oswald, to even harsher criticism. Now NBC and CBS are getting ready to take their lumps. King, a six-hour miniseries consecrated to the life and times of the Rev. Martin Luther King Jr., has already been assailed by King's second in command...

Author: /time Magazine | Title: Television: Truths and Consequences | 2/13/1978 | See Source »

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