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Kentridge went on to make seven more films in the Soho Eckstein series, each winning increasing international acclaim. In 1997, his work was featured in “Documenta X,” a cutting-edge art show in Kassel, Germany, which launched him into the spotlight. In 1998, filmmaker Reinhard Wulf and art historian Maria Anna Tappeiner filmed Drawing the Passing, a documentary on Kentridge’s creation of Stereoscope, the eighth film in the Soho Eckstein series. This documentary helped bring his work to wider audiences. Stereoscope premiered at the Museum of Modern Art in New York...

Author: By Margot E. Kaminski, CRIMSON STAFF WRITER | Title: Primary Motion | 11/14/2002 | See Source »

...what you will, complain as you wish -- and it usually gives rise to plenty of speech and complaint -- the Venice Biennale is always fun to visit. It also has an edge on all other festivals of contemporary art, like the more didactic Documenta at Kassel, West Germany. For when you have done the central show in the Italian pavilion in the public gardens, and sampled all the national pavilions from the U.S.'s to Yugoslavia's, and sated whatever appetite you may have for the installation pieces of Aperto 88, the section for artists under 40 that stretches like...

Author: /time Magazine | Title: Art: The Venice Biennale Bounces Back | 7/25/1988 | See Source »

Probably not, for the analogy be tween killer whale and great white shark is just too tempting - they are both big, strong and mysterious, therefore scary to landlubbers. Television documenta ries have taught us that the whale has a complex language and, since he may also be monogamous, perhaps a human like emotional life. It is easy, therefore, to anthropomorphize the whale and then cobble up the kind of plot line that runs sluggishly through Orca...

Author: /time Magazine | Title: Cinema: The Shallows | 8/8/1977 | See Source »

...stare and a manic thirst for promotion, Christo, 41, is no stranger to large projects. He first came to the art world's attention in the late '50s and early '60s by swathing all manner of objects-chairs, trees, cars, women, motorcycles and, in 1968 at "Documenta" in Kassel, West Germany, a 280-ft. column of air-with rope, canvas and sheet plastic. If this all amounted to little more than a series of energetic variations on Man Ray's 1920 Enigma of Isidore Ducasse (a sewing machine wrapped and tied in sackcloth and rope...

Author: /time Magazine | Title: Art: Christo: Plain and Fency | 9/20/1976 | See Source »

...expanded his repertory to display a full-sized cast of himself at Manhattan's Stable Gallery dressed -as a dead hippie and laid out full length inside a pink ziggurat-shaped tomb. The cadaver was a huge success; it toured to London and the Kassel Documenta. For his show at the Stable this spring, he chose a far subtler and less sensational idea: a latex cast showing himself as an underwater swimmer with shoals of delicate small fish clinging to his sides. It was suspended from a tree in the backyard, seeming somehow both pathetic and portentous, like...

Author: /time Magazine | Title: Trends: Beyond Nightmare | 6/13/1969 | See Source »

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