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Word: documental (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...thing that makes for a good record, let alone the album of the year: Charles is doubtless a brilliant songwriter and an incomparable singer, but how good can an album be when each song features a radically different incorporation of voices? An album is a cohesive statement, a unified document in music: this selection as the best record of the year shows the way the award is consistently used honorifically, as tribute to the recently-passed artist rather than an actual critical decision as to which album was best. This choice surprised no one, and when the Oscars roll around...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/18/2005 | See Source »

...Genius Loves Company probably wouldn’t have picked up album of the year without the industry’s collective guilt over Mr. Charles’s untimely demise, but it was at least a full-fledged concept album—and in that sense, a unified document in music—not just another case of “slap on another voice to old tracks.” Then again, it was promoted/sold heavily at Starbucks, so I’ll buy into your anti-commercial argument. But for both Charles wins, this isn?...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/18/2005 | See Source »

...thing that makes for a good record, let alone the album of the year: Charles is doubtless a brilliant songwriter and an incomparable singer, but how good can an album be when each song features a radically different incorporation of voices? An album is a cohesive statement, a unified document in music: this selection as the best record of the year shows the way the award is consistently used honorifically, as tribute to the recently-passed artist rather than an actual critical decision as to which album was best. This choice surprised no one, and when the Oscars roll around...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/17/2005 | See Source »

...Genius Loves Company probably wouldn’t have picked up album of the year without the industry’s collective guilt over Mr. Charles’s untimely demise, but it was at least a full-fledged concept album—and in that sense, a unified document in music—not just another case of “slap on another voice to old tracks.” Then again, it was promoted/sold heavily at Starbucks, so I’ll buy into your anti-commercial argument. But for both Charles wins, this isn?...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/17/2005 | See Source »

...annual disney shareholders' meeting last week in Minneapolis, Minn., the hefty document that attendees were most eager to get their hands on was not an annual report. It was James B. Stewart's DisneyWar (Simon & Schuster; 572 pages), which chronicles how CEO Michael Eisner--who announced last year that he would step down in 2006--turned their pop-culture institution into a Tragic Kingdom...

Author: /time Magazine | Title: The Tragic Kingdom | 2/13/2005 | See Source »

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