Word: documentarists
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...Photography (ICP) in New York City from June 9 to Aug. 27. The exhibit is drawn from the ICP's collection of 20,000 of his original prints from the 1930s to the 1950s, and will showcase over 100 of his rarely seen images, including his often gruesome tabloid-documentarist style: murder victims sprawled on boardwalks covered with bloody drop cloths; crime-scene chalk drawings on sidewalks of bodies since removed. One can easily imagine him driving around the dark streets of New York City of old, waiting for his self-installed police radio to propel him into action...
...exhibit is drawn from the ICP's collection of 20,000 of his original prints from the 1930s to the 1950s, and will showcase over 100 of his rarely seen images, including his often gruesome tabloid-documentarist style: murder victims sprawled on boardwalks covered with bloody drop cloths; crime-scene chalk drawings on sidewalks of bodies since removed. One can easily imagine him driving around the dark streets of New York City of old, waiting for his self-installed police radio to propel him into action. But it wasn't just crime that captured his attention: the despair and shell...
SUPERSTAR. Andy Warhol's nonlife and odd times get a spiffy collage treatment from documentarist Chuck Workman. News and film clips mix with reminiscences from Andy's cheerfully perplexed family back in Pittsburgh. A few Warhol Factory workers show up, wry and rueful, eager to prove they survived...
Michelangelo Antonioni is a restless eminence. For more than 40 years he has been testing the limits of film narrative-as a young critic and documentarist, as a screenwriter in Italy's neorealist cinema, as the director of such parables of alienation as L'Avventura (1960) and Eclipse (1962). And while he expanded the viewer's understanding of the way stories can be told, he helped change the way the world is seen on film. In Red Desert (1964), he reflected the industrial and emotional decay of modern Ravenna in skies streaked like a sulfurous rainbow...
...Jutra's conception is not romantic -- no more than Walker Evan's photographs of the depression. The two come together with passion. The depth of this passion appears only much later. At this point, the emotional attachment of the viewer is still vague. We watch as if through a documentarist's camera...