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Word: dogs (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...between a high whisper and an unexpressive monotone while the music (like "Born Never Asked" and "Let X=Y" on Big Science) breaks in and out of slow, staccato climaxes. "Blue Lagoon" is a static, serene number, which contains one of Anderson's funniest vocal effects since "Walk the Dog...

Author: By Marek D. Waldorf, | Title: Hitting A New Note | 2/28/1984 | See Source »

...lyrical black and white photography of stormy skies, barking dog and the imposing grandeur of the Russian landscape play no small role in the overall success of the film in which visual images rise above the language barrier. King Lear is not suitable viewing material for a restless Saturday night; but for an audience willing to participate actively in the drama, it is nothing short of breath-taking...

Author: By Mary F. Cliff, | Title: Above the Language Barrier | 2/17/1984 | See Source »

...year-old. When director Jordan occasionally does seize upon a bright idea, he usually destroys it by overstatement. There is nothing inappropriate, for example, about an aspiring artist like Dreyfuss having a Piet Mondrian painting adorning his wall. It is corny and implausible, however, for him to name his dog Balzac and give a Jersey Kosinski novel to a child who whines and calls his mother "monkey nose...

Author: By David B. Pollack, | Title: Man Meets Woman | 2/7/1984 | See Source »

...Gudmundsson refuses to heel. "Lucy is as much a part of the family as my children," growls the father of three. "Rather than part with her, we will emigrate and I will quit politics." Despite his dogged stand, the Finance Minister is on fairly safe ground: he may be in the doghouse, but as a member of parliament he cannot be jailed. Before things become irretrieverable, one wag suggests, why not transfer Gudmundsson to Iceland's United Nations delegation in New York? New Yorkers, after all, are not only accustomed to putting on the dog, but putting up with...

Author: /time Magazine | Title: Iceland: Dogged Stand | 2/6/1984 | See Source »

...hard to decide which is more horrible, the matter-of-factness of the Venetian lap dog, familiar from many a Carpaccio, licking up the satyr's blood, or the prim, detached attentiveness of Apollo as he peels the skin. Yet the whole unlikely scene is anchored by one riveting device: Titian must have seen boar hunts in the woods around his native Cadore, and the satyr is strung on the tree like a wild pig ready for dressing, every stiff hair on his matted legs contributing its realism to the myth. On the right is another of Apollo...

Author: /time Magazine | Title: Art: The Legacy of La Serenissima | 2/6/1984 | See Source »

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