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Such rigorous athletic training makes creative expression possible. “We’re classically training our muscles but we’re also expressing ourselves through dance,” Prince says. However, a routine won’t rise to its greatest form unless dancers have the...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

His actual critique of Stanislavsky, however, is mostly based on an uncharitable, oversimplified reading of the director’s prolific work: “Stanislavsky’s famed (if essentially hypothetical) system, then, was and is the dissection of the motives and emotions of the character. One hundred...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

It is lamentable that Mamet’s actual writing doesn’t do a better job of motivating his arguments, because he does occasionally make truly insightful observations. In a chapter titled “Hunting Instincts” he compares the theatrical experience to that of a...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

Short has worked with White once before, on “Stomp the Yard.” When asked about this second encounter, he replied, “It was just as amazing as the first movie to be honest. When we were doing ‘Stomp the Yard...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: ‘The Losers’ Win Hearts and World War III | 4/13/2010 | See Source »

“It was good to go back and do some good old fashioned mama jokes,” said Evans.

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: ‘The Losers’ Win Hearts and World War III | 4/13/2010 | See Source »

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