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...mind Jack Anderson is a living doll. Everyone lies to you, and you can't believe anything coming from Washington. Tell Jack to keep on. He lets us know it like...

Author: /time Magazine | Title: Letters, Apr. 24, 1972 | 4/24/1972 | See Source »

Even to operagoers who cheer her vocal brilliance, Soprano Joan Sutherland has often seemed to have the personality of an Amazonian Barbie doll: imposing, but stiff and cool. Recently she dispelled much of that reputation with her hearty clowning in the Metropolitan Opera's production of Donizetti's The Daughter of the Regiment (TIME, Feb. 28). Last week, with her appearance in the first of two 30-minute TV shows called Who's Afraid of Opera? (PBS), her humanization seemed complete. Singing, lecturing, bantering with a trio of puppets, she was revealed as a thoroughly warm...

Author: /time Magazine | Title: Music: Who's Afraid of Joan? | 4/24/1972 | See Source »

What makes Ibsen of primary importance for twentieth century literature--what Joyce called "his lofty, impersonal power"--is driven to its furthest conclusion in When We Dead Awaken. Subtitled "A Dramatic Epilogue" because it concludes a long series of socially critical dramas beginning with A Doll's House, the play also marks the epilogue to Ibsen's development as an artist. From the intense portrayal of the failures of bourgeois society, Ibsen's discontent has flooded over into a despairing view of art itself and of the artist as a man who has not lived...

Author: By Phil Patton, | Title: When We Dead Awaken | 4/21/1972 | See Source »

...pinko fluff-head's gone and done." If Archie Bunker greeted the news like that, who could blame him? When All in the Family finished taping for the season, Sally Struthers, who plays Archie's daughter, Gloria, went off to be a bank robber's lap doll in Sam Peckinpah's The Getaway. And if a starlet's going to make it, she's got to let folks know everything she's got. What Sally's got is nicely displayed by some horseplay in the new movie, which she describes...

Author: /time Magazine | Title: People, Apr. 10, 1972 | 4/10/1972 | See Source »

Nearly a century has gone by since Ibsen's A Doll's House, and Nora's challenge has not been met in the theater. Ibsen himself could have written a sequel that began with Nora slamming the door and journeying forth to mold her destiny. Ibsen never wrote that play, and no modern playwright has made a serious attempt at it. Instead, women have been perceived as types-almost anything but the full human being Nora craved to become. Women characters fare no better at the hands of female playwrights, and even authors who respect women have...

Author: /time Magazine | Title: The Theater: The Faces of Eve | 3/20/1972 | See Source »

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