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Marietto knows his way around every thing except the local schoolhouse and is just old enough to appreciate the fact that he is just small enough to be hip-high to a pair of toreador pants. Sophia plays the sort of doll who scratches where she itches, and sees nothing wrong with the lad's education. Gable, of course, tries to reform Marietto. "After all," he reasons, "you're part American." Says the live-end kid: "You no tell anyone, I no tell anyone." When Gable sees the boy touting for Sophia's gin mill late...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 15, 1960 | 8/15/1960 | See Source »

...night he can be found strumming a jazz guitar with the Banjo Bums or the Six and Seven-Eighths Band. In his first LP starring role, Jazz Authority Souchon offers some rambling recollections of pre-World War I New Orleans music and provides a few choice examples-Sweet Baby Doll, Animules Ball-in a gravelly, sowbelly voice that has the unvarnished ring of authenticity...

Author: /time Magazine | Title: Music: New Jazz Records | 8/8/1960 | See Source »

Between more parts in ambitious Broadway flops (Miss Lonelyhearts, Summer of the 17th Doll), she turned away from the Berghof school's advanced classes, went into the basic-technique courses and joined the beginners. Eventually, Berghof hired her to teach the technique courses herself to twelve classes a week and more than 200 students. Last spring, after 47 others had either tried for or turned down the part, she was chosen for Tomorrow in London. Said Irene Dailey last week: "I shall be 40 in September. I have nothing, really nothing. I'm not married. I have...

Author: /time Magazine | Title: Show Business: The Perils of Irene | 7/18/1960 | See Source »

...only Elliott Sullivan's North-umberland and Pirie MacDonald's Douglas merit note. The latter is as Scots as an Edinburgh scone and a delight to hear. Falstaff's company remain in the memory longer than the nobility do--a slatternly Mistress Quickly (Alice Drummond), a frowsy and frazzled Doll Tearsheet (Patricia Falkenhain), a red faced, guileless Bardolph (Dana Elcar...

Author: By James A. Sharap, | Title: Henry the Fourth, I and II | 7/14/1960 | See Source »

...elegant divided skirts. He expressed his due appreciation for his show's success to the lusty old Dutchman. Just to illustrate his historic point, Norell posed several models before a Dongen work that he has long owned, achieved a nostalgic resemblance between the modern girls and a Dongen doll in the Venice of 40 years...

Author: /time Magazine | Title: People, Jul. 4, 1960 | 7/4/1960 | See Source »

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