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...their scorn. "This is so bad it's good," says Rebecca (Scarlett Johansson). Enid (Thora Birch) corrects her only friend: "This is so bad it's gone past good and back to bad again." The girls are subtle connoisseurs of bad. They have a favorite lousy comedian, ugly doll, porno store and, eventually, a favorite pathetic nerd. That's Seymour (Steve Buscemi), who collects old records and fresh psychic wounds. "I would kill to have stuff like this!" Enid enthuses when she sees Seymour's stash of 78s. "Please," he dourly replies, "go ahead and kill...

Author: /time Magazine | Title: Cinema: A Ghost of a Chance | 7/30/2001 | See Source »

...bought my TiVo because my editor keeps scheduling meetings during that soap opera with Timmy the Living Doll. But when I programmed it for the first time after coming home one Saturday night--the last I would ever spend outside my apartment--I decided to try to impress it, so I'd get pooled with the smart people. I asked it to tape Meet the Press, Full Metal Jacket and some British sitcom called Keeping Up Appearances...

Author: /time Magazine | Title: A TiVo Into Your Soul | 7/30/2001 | See Source »

...Porcine Panic," by Andy Merrill and Jason Little seem to have spied on my bathroom with the realistic portrayal of an Aquaman doll's bathtub struggle with a piggy handpuppet. Tony Millionaire and Chip Kidd turn in a masterfully sardonic "The Bat-Man." Colored an antique tea-stain brown, with a mood reminiscent of the 1930s horror movies, Bruce Wayne becomes a creepy, eccentric playboy who flies around in his "bat-gyro." Another stand-out, Ellen Fornay and Ariel Bordeaux imagine "Wonder Woman's Day Off," when she skips out for a cappuccino and a poetry slam, with...

Author: /time Magazine | Title: How Much for Those Comix? | 6/29/2001 | See Source »

Kubrick was a scholar of hubris. That was his persistent theme: the dream of being other, or more, than we are. The ambition that seems honorable in your standard movie hero is often revealed as idiot obsession in a Kubrick protagonist. He falls in love with a living doll (Lolita) or himself (Barry Lyndon), with an idea that may be decent (justice, say, in Paths of Glory), even artistic (writing a novel, in The Shining). But Kubrick sets him the sort of test and trap that real-boy Martin sets for David: a man must learn the limits of hope...

Author: /time Magazine | Title: Cinema: A.I. Spielberg's Strange Love | 6/25/2001 | See Source »

...crowds at its opening at Cannes?everyone was hoping for a Crouching Tiger repeat?but Shu Qi's performance did. This film was essentially made for her, and her character carries the action. We see the spare, raw, brittle Shu Qi rather than the ditzy spray-on sex doll her earlier films tended to serve up. It's a psychological drama that charts the wrenching of her separate attraction for two very different men, and she gets to cry rather than squeal. "This is the best work I have ever done," allows the actress, sipping a glass of red wine...

Author: /time Magazine | Title: Shu Perstar! | 6/25/2001 | See Source »

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