Word: dolls
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Dates: during 1970-1979
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Show biz was beginning to sound a bit like the Wimbledon playoffs: Claire Bloom and Jane Fonda with their separate versions of A Doll's House, five versions of The Three Musketeers before the cameras in Europe, and two versions of Shakespeare's Antony and Cleopatra playing London. The more traditional of the two starred Janet Suzman (Nicholas and Alexandra). The other, a full-blast 20th century version, brought Rebel Vanessa Redgrave on stage. The actors' props were revolvers, hand grenades and Ronson lighters. Antony was a cigar-smoking swinger sporting a white cravat. Dominating all, even...
...knew what I wanted to hear: Ella at Birdland, Sinatra's 45 of "Chicago," with "Witchcraft" as the flip, Sammy Davis when he was still Junior, Sinatra's Christmas Album (only recently replaced in stereo), the two double albums of Ella Fitzgerald with Duke Ellington, with emphasis on "Satin Doll," and "A Train." Van Morrison sings in the same tradition. Like those predecessors, he simply possesses his songs. A song written for Sinatra was Sinatra's; there could be no adequate convers. To my knowledge, only two of Morrison's songs have been covered: two mediocre versions of "Crazy Love...
Ella Fitzgerald. My musical upbringing was slim; I could play "Hot Cross Buns" on the recorder, because it only took three fingers on one hand. My parents also had three Ella Fitzgerald records. I grew up on Ella with Duke, doing "Take the A Train," "Satin Doll," "I Got It Bad, (And That Ain't Good)," and others. Ella with Duke, Ella with Basie, Ella with Blue Oyster Cult, shoot, I can listen to her anytime. Whether she's playing with, or in front of The World's Greatest Jazz Band I'm not sure, but I'm told...
According to the first law of hero-dynamics, every epic action has an equal and opposite reaction. One nation's hero is some other nation's villain; one man's idol is another's voodoo doll. The second law is that legends tend to polarize and absolute legends polarize absolutely...
Ella Fitzgerald. My musical upbringing was slim; I could play "Hot Cross Buns" on the recorder, because it only took three fingers on one hand. My parents also had three Ella Fitzgerald records. I grew up on Ella with Duke, doing "Take the A Train," "Satin Doll," "I Got It Bad, (And That Ain't Good)," and others. Ella with Blue Oyster Cult, shoot, I can listen to her anytime. Whether she's playing with, or in front of The World's Greatest Jazz Band, I'm not sure, but I'm told she still has her stuff, in spite...