Word: domain
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Dates: during 2000-2009
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Here, at least, the copyright law follows our intuitions. Access to ideas is a high priority in a democratic society. The Constitutional authorization to “promote the progress of science,” leaves facts in the public domain, as do the statutes and cases interpreting them. Authors are given copyright incentives to induce them to share their works and the ideas in them with the public. We would expect an academic bookstore to appreciate that it too gains from authors’ free access to the facts and ideas in the world around them...
According to the Harvard University Registrar’s Office, lotteries are currently the domain of individual professors, who have the freedom to inform their students of results at any time. To solve the problem of late lotteries, the College should mandate that all lotteries end by 5 p.m. on the Thursday before Study Card day, at least 24 hours before study cards are due. That would give students enough time to see their advisers, shop additional courses, and make informed decisions...
...they are taking. The Coop has argued that it owns intellectual property rights to the identification numbers for the books it stocks, which are organized by course on the third floor. Crimson Reading Director John T. Staff V ’10 insists the information is in the public domain...
Applying to business school is no longer the exclusive domain of alums with several years of business experience under their belts. Harvard Business School (HBS) last week unveiled a new, first-of-its-kind program that allows college juniors to apply to its Masters in Business Administration (MBA) program. Students accepted to this “2+2” deferred admissions program will spend two years after graduation working, and then matriculate to HBS for a regular two-year MBA. HBS plans to support admitted 2+2 students by helping them find jobs and organizing networking events...
...Still other tenors displayed more refinement and style, and brought a richer cultural or intellectual background to their roles. A case in point: Domingo, the other dominant tenor of the era, a more consistent, versatile and rounded singer than Pavarotti and a far more affecting actor (a domain where Pavarotti's skills remained, to put it kindly, rudimentary...