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...Music Director Kurt-Heinz Stolze based on short pieces by Tchaikovsky. The work moves quickly and assuredly through Pushkin's tale of romance and betrayal, never assuming the luxury of a dance-for-dance's-sake diversion, bending every movement toward dramatic ends. Shrew, with music by Domenico Scarlatti arranged by Stolze and liberally peppered by his modern harmonies, adds a welcome touch of wit and tenderness to Shakespeare's buffoonery...

Author: /time Magazine | Title: Ballet: Gazelleschaft | 6/20/1969 | See Source »

...others: Domenico Dragonetti (1763-1846) and Giovanni Bottesini...

Author: /time Magazine | Title: Instrumentalists: A Singing Bass: | 7/5/1968 | See Source »

...glassed-in swimming pavilion in the garden, navigable even when winter snows pile up six feet deep. But the main attraction remains the cuisine, a fact that prompted the Riesterers to equip every bathroom with a scale-thoughtfully set back 1 ½ kg. (roughly 3 Ibs.). ¶ San Domenico Palace in Taormina, Italy. A converted monastery, one of its cloisters 600 years old, the San Domenico has been a hotel since 1896. Part of its appeal is the monkish ambiance, part the views of Mount Etna and the Sicilian seascape. Though rooms are air-conditioned, most guests leave their windows...

Author: /time Magazine | Title: Resorts: Aristocrats of the Continent | 7/14/1967 | See Source »

...times as much as the composers. Some tenacious women singers masqueraded as castrati (which caused occasional -and embarrassing- sexual complications). When women were finally accepted on all opera stages in the early 1800s, the vain castrati resented the competition. The result was some classic vocal jousts. Castrato Domenico Caffarelli, for instance, liked to fluster the sopranos during duets by spiraling off on melodic tangents that had no resemblance to the score; Soprano Angelica Catalan!, while singing in England, tried to hold her own by tossing in elaborate variations of God Save the King in every opera she sang...

Author: /time Magazine | Title: Opera: Back to Bel Canto | 1/20/1967 | See Source »

...Santa Croce, where the depth of the water averaged 25 feet, the famous Cimabue Crucifix was submerged and almost completely destroyed, the Domenico Veneziano fresco of St. John the Baptist and St. Francis was streaked with heating oil, as were the Tadeo Gaddi Last Supper and other frescoes, including the important fragments by Orcagna. The Bacchus, the Brutus and Pitti Madonna of Michelangelo in the Bargello Museum were also badly streaked with...

Author: By Jonathan D. Fineberg, | Title: Water, Oil and Slime Cover Florence's Art | 12/9/1966 | See Source »

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