Word: domenico
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...Magniflcat J.J. Pachelbel "Harmonious Blacksmith" Variations Handel 2. Chromatische Fantasle und Fuge J. S. Bach 3. "The Battle between David and Goliath" J. Kuhnau 4. Italian Concerto J. S. Bach 5. Les Vendangeuses Couperin La Bandoline Couperin La Poule Rameau Le Rappel des Oiseaux Rameau 6. Drei Sonaten Domenico Scarlatti
...secretly "in the Pope's heart" (TIME, March 20, 1933). Others: Most Rev. Carlo Salotti, secretary of the Congregation for the Propagation of Faith (missions); Monsignor Nicola Canali, assessor of the Congregation of the Holy Office (the Church's watchdog in matters of faith and morals); Monsignor Domenico Jorio, secretary of the Congregation of the Sacraments; Monsignor Massimo Massimi, dean of the Sacred Roman Rota (the Church's trial court); Monsignor Carlo Cremonesi, papal Grand Almoner; Monsignor Vincenzo La Puma, secretary of the Congregation of the Affairs of Religious; Monsignor Frederico Cattani Amadori, papal auditor, secretary...
Primitives of the Catalonian and Aragonese Schools were there, along with excellent examples of 15th and 16th Century anonymous religious paintings. But the reputation of Spain as an art centre rests entirely on the work of three great painters: Diego Rodriguez de Silva y Velazquez, Domenico Theotocopuli (El Greco), Francisco Jose de Goya y Lucientes. Of the three, Velazquez was of Portuguese descent and Theotocopuli a Greek, which leaves the glory of Spanish art to just one thoroughgoing Spaniard, Goya...
...Domenico Ghirlandajo's portrait of Giovanna Tornabuoni, to still another anonymous collector for $500,000. One of twelve Ghirlandajos in the U. S.. this brilliant picture of the daughter of the great Florentine banking family was considered one of the most important in the entire Morgan collection. It was bought by the elder Morgan in 1907 for one-half of last week's price...
...scholars of the Renaissance, which was so baldly contemptuous of the mediaeval tradition, loved to interpret this legend weaving as mere monkery; more detachted observers are willing to admit that it is, above all, a tribute to the rich common life of the middle age. That cage, as Domenico Comparetti has carefully shown, understood and venerated the literary art of Virgil, and its educated men read and preserved the Virgilian manuscripts with a diligence not inferior to our own. The common man today does not believe that Virgil was a thaumaturge; but this testifies not so much to a popular...