Word: donã
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...enhance the film’s artistic qualities and preserve the anonymity of the soldier. Mograbi says that he also changed how he narrated the film. “Like previous films, I am always there commenting on the dilemmas [of the subjects], and this time I don??t do it by talking but by singing,” Mograbi says. “This [method] has developed over a while looking for a different way of expression,” he continues. “Singing allows myself to distance myself from the material... and look...
...some tracks are notably weaker than others. While “Pursuit of Happiness” is imaginatively crafted, again featuring Ratatat as well as fellow neo-psychodelic rockers MGMT, Cudi makes a surprisingly insensitive, unnecessary remark that stands out among his usually moderate tone: “I don??t care, hand on the wheel, drivin’ drunk, I’m doin’ my thing.” And though “Sky Might Fall” is Cudi’s most forthcoming song emotionally—“And then...
...Christmas special—that suited “The Office” perfectly, as it would “Extras,” their brilliant sophomore effort. And yes, the first season of the American “Office” also had six installments. The second? 22. Don??t get me wrong—the second season is probably the show’s best, and by the time the finale, “Casino Night,” aired, no one was complaining that we’d seen too many episodes that year...
...similar scale to prop it up. For Muse, that means crunching guitar riffs and driving base lines overlaid with Matt Bellamy’s operatic, choirboy-gone-bad falsetto. When all these elements come together, Muse songs can be sublime slices of ominous, oddly euphoric prog rock; when they don??t, the songs veer quickly into the realm of the absurd. Through four albums of material, Muse’s releases have generally tended towards the former. “Black Holes and Revelations,” realeased in 2006, finally earned them popularity...
...from other shortcomings, but they aren’t significant enough to displace its much more noticeable successes. Devereaux’s sons—George, who narrates the film, and Robbie—are underdeveloped as characters. They toss out stock adolescent protests like “You don??t even know me” from time to time, but their main role is on their mother’s coattails. The plot itself is supposed to be at least loosely based on the childhood of perennially bronzed Hollywood has-been George Hamilton, but this could easily...