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Word: dona (lookup in dictionary) (lookup stats)
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...right. His daughter, thin, bright-eyed Ofelia, comes out and tells you how she's going to go in the sixth grade in San Martin and then become a nurse. Her younger sisters, giggling wildly, hurl sombreros in the air and watch the wind take them. Her mother, Dona Rosa, invites you in for coffee and sweet breads that she bought from one of the two tiny stores and that Isac and his brother, bakers and sons of a baker, made one morning. Dona Rosa tells you of her fifteen-year-old son who went to live with an aunt...

Author: By Sage Sohier, | Title: Glimpse of a Mexican Village | 12/10/1973 | See Source »

...mother, Dona Lucia, lives just up a little hill. "Good morning, Senorita, or is it good afternoon...

Author: By Sage Sohier, | Title: Glimpse of a Mexican Village | 12/10/1973 | See Source »

...left out of the play, since it has only a tenuous connection with the rest of the larger work and lasts two hours all by itself. It is a dream sequence set in hell, with four characters out of the legend made famous by Moliere and Mozart: Don Juan; Dona Ana, whose virtue he attempted to assault; the Commendatore, her father, slain by the archseducer; and the devil. In all of English drama, there is no more dazzlingly sustained discussion of ideas in dialogue. The words sing, the ideas go off like fireworks. It is like a great parliamentary debate...

Author: /time Magazine | Title: The Theater: Classics Revisited | 1/29/1973 | See Source »

...devil, Edward Mulhare is an urbane charmer, and Paul Henreid's Commendatore and Agnes Moore-head's Dona Ana are all that could be asked. In the title role, Ricardo Montalban is superb, no libertine at all, but Shaw incarnate, with his puritan passion for exposing hypocrisy and cant. If all our minds are freer of the pollution of smug platitudes, it is because Shaw, with his Jovian laughter, helped to clear them. -T.E.Kalem

Author: /time Magazine | Title: The Theater: Classics Revisited | 1/29/1973 | See Source »

Richter is not an exciting conductor to watch, but he does communicate his enthusiasm to players and audience. From the very start it was clear that he was not afraid to build long phrases. The last chorus, Dona nobis pacem, was begun slowly but picked up speed in a controlled manner leading to a majestic conclusion...

Author: By Kenneth Hoffman, | Title: A Brilliant Compromise | 10/12/1972 | See Source »

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