Word: donas
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...Dona Flor's friends can scarcely contain their vicarious relief. But Dona Flor is wretched. Her Vadinho was a tender, tireless, imaginative lover...
...moderate in everything, he makes love to his wife on Wednesdays and Saturdays-with an optional encore on Wednesday. She thinks she is content, until she enters her bedroom and finds Vadinho stretched out naked. The next morning he parades unclad about her cooking class-invisible except to Dona Flor but capable of exerting physical pressure on the breasts of an astonished student. Mostly he can be found in her bed, stating with humorous logic his legitimate posthumous rights as a husband...
...course, Vadinho could not make his way back from the blue except in a land as saturated with voodoo and ghostly candomblé rituals as Bahia. "God is fat," he confides to Dona Flor. He came back, he adds, because, despite her love for Dr. Teodoro, she called him. She cannot deny it, nor can she bring herself to send him packing back to his corpulent deity...
...Dona Flor is rich and leisurely, as much verbal aphrodisiac as novel. Flor is a close cousin to Amado's most celebrated heroine. Gabriela (in Gabriela, Clove and Cinnamon), another lady capable of cooking up a storm in the kitchen or in bed. In lavishing details of color, touch and taste, Amado so ignores the canons of construction that at times he seems embarked on little more than an engaging shaggy-dog story...
...love letter to Bahia. Formerly an earnest Communist, he turned out several stark novels (sample title: Sweat). Gabriela marked an abrupt mellowing in Amado's outlook. Now he romanticizes his Bahians into virile lovers, darkly sensual morenas, whores and neighbors, all larger than life. According to rumor, Dona Flor's friends are not the Bahian poor, but Amado's own circle of artists and intellectuals, whom he has costumed as peasants for a literary romp à clé. To that degree, Dona Flor is a long, savory inside joke. It is not, however, malicious, Amado too plainly...