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...audience when Gainsbourg remarks grinningly to her husband, “Dreams are of no interest to modern psychology. Freud is dead, isn’t he?” A half hour of ejaculated blood and severed female anatomy later, “Antichrist” has done as much as show that if Freud isn’t dead, he’s certainly fair game for some extreme and rather thickheaded interpretations...
...first half of the film is essentially a horror film’s buildup toward dramatic tension, and it’s done effectively: eerily lit time-lapse nature footage punctuated by waves of white noise and color-saturated, slow-motion shots create a nightmarish atmosphere for the carnage to unfold in. The alternation between handheld and dollied camera is seamless, and Von Trier even experiments with lenses in the former case, making for an especially distorted register in some of the film’s most intense moments. But finding the natural extreme of a career that counts...
...despite her efforts to inform the Harvard community about Sufism, Quraeshi does not want to be considered an Islamic artist. “It’s a sensitive subject because of all of the horrible things being done in the name of Islam,” she says. “It’s sort of like calling a woman a female artist. You are either an artist...
According to Christine E. Gummerson ’12, who plays Rossignol, there are many parallels between the events in revolutionary France and the madhouse. “There is this feeling of ‘What have I done to deserve this? Why me?’” she says. In both situations, the victims—the poor and the mad, respectively—feel unfairly punished. With this injustice comes desperation, and it is desperation, Gummerson says, that can bring people to the terrifying violence that marked the revolution...
...These people are put in an insane asylum,” says Elyssa K. Jakim ’10, who plays Charlotte Corday. “They’re punished for what they are rather than what they’ve done.” For Leaf, this division between crimes of action and crimes of being lies at the heart of the production. “If you can truly understand the difference between them,” he says, “you can understand the play...