Word: donenal
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...political rally and into the clutches of the man with the missing fingertip. Or Cary Grant doing anything in almost any Hitchcock caper: wooing Grace Kelly in To Catch a Thief, dodging a malefic crop duster in North by Northwest. Grant also adorned the genre's apogee, Stanley Donen's Charade, in which the star has five identities and a protective lust for Audrey Hepburn. Neat plotting, chic dialogue, a funny-grotesque supporting cast and enough frissons to send an audience out spooked and happy. They don't make pictures like these anymore. Case in point: Legal Eagles. It ought...
...every film in the Criterion list is a textbook classic. Quite a few are just hugely enjoyable bagatelles that deserve to be treated with care. As you probably already know, Donen's 1963 comic thriller is about a young American widow (the ever-stylish Audrey Hepburn) on the run in Paris from a trio of criminals who think she can lead them to the fortune her late husband stole from them. The is-he-or-isn't-he-trustworthy stranger who takes her under his wing is Cary Grant. The digital transfer is every bit as lustrous as what Kurosawa...
...CHARADE, Stanley Donen...
...understudy in Panama Hattie she got to fill in a few times. The show's director, George Abbott, was pleased, and gave Allyson a lead role in his next musical, Best Foot Forward. When MGM did the movie version, Allyson went west, and stayed there. So did Stanley Donen, who would soon graduate from chorus boy to choreographer and director, and Hugh Martin and Ralph Blane, whom the studio signed to write the score for Meet Me in St. Louis, starring the MGM princess Judy Garland. The diva and the ingenue would become lifelong friends...
...pretty Parisian widow is menaced by grisly thugs and wooed by a mysterious man who may want only the money she has but can't find. In 1963 this was a recipe for Stanley Donen's romantic thriller Charade, with Cary Grant and Audrey Hepburn. Now it's a sorry mess called The Truth About Charlie. From Grant and Hepburn in Charade to Mark Wahlberg and Thandie Newton in Charlie, the charisma drop is steeper than that of Martha Stewart's stock price. Director Jonathan Demme's jittery melange is shot in punishing close-ups by a Ritalin-deprived camera...