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...ancestor of all man-v.-devil stories, the Faust legend has spawned some curious offspring over the centuries. The latest, Stanley Donen's Bedazzled, could in all likelihood qualify as the worst. A meek little short-order cook (Dudley Moore) hankers inarticulately after the waitress (Eleanor Bron) in a London greasy spoon. The Devil (Peter Cook) follows him home and makes a proposition: seven wishes granted, a soul in return...

Author: /time Magazine | Title: Cinema: Fausticm Fringe | 12/15/1967 | See Source »

...deep-focus photography and its merciless character analysis of that special U.S. phenomenon, the self-made mogul. John Ford's Stagecoach brought the western up from the dwarfed adolescence of cowboy-and-Injun adventures to the maturity and stature of a legend. Gene Kelly and Stanley Donen's Singin' in the Rain proved again the ingenuity of U.S. moviemakers to bring fresh style to the format of musical comedy, which, like jazz, remains an authentically American art form...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

...ROAD. Audrey Hepburn and Albert Finney flash backwards and forwards on a twelve-year marital fray-for-all neatly scripted by Frederic Raphael (Darling) and cleverly directed by Stanley Donen (Charade...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Jun. 9, 1967 | 6/9/1967 | See Source »

...share of scars in the jungle war between the sexes. As her mate, a self-centered architect, Finney is not so fortunate, and seems curiously unsympathetic in helping to turn his marriage into a fray-for-all. Happily, whenever the strife skitters closer to tragedy than comedy, Director Stanley Donen takes the viewer's eye off the brawl by ushering in William Daniels and Eleanor Bron parodying a WASPish American and his shrewish wife, or Claude Dauphin, whose jet-set bore is a perfect putdown...

Author: /time Magazine | Title: Cinema: Union on Strike | 5/12/1967 | See Source »

...salt what it lacks in plot, although his dialogue, as Don Marquis once put it, sometimes merely strokes a platitude until it purrs like an epigram ("The only thing that fits into a pigeonhole is a pigeon"). Flashing back and forth through twelve years of togetherness and apartheid, Director Donen makes sure that this particular Road never quite reaches a dead end. In the final moments, Hepburn and Finney, reconciled, look lovingly at each other in the car. He sighs, "Bitch." She snaps, "Bastard...

Author: /time Magazine | Title: Cinema: Union on Strike | 5/12/1967 | See Source »

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