Word: dones
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Dates: during 1873-1873
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...indeed a galling thought! Perhaps, then, the Sophomore theory that "the conceit must be taken out of Freshmen" was not so absurd a one after all. Who knows but that the propensity to haze was a divinely seated instinct, created for good purposes, and that the College has done an unwise thing in attempting to root it out? Surely the Freshman's mind, when he comes here, is in a somewhat critical condition. Reared among the comforts and refinements, to be sure, of home, but also among its restrictions, he has been looking for a year or more...
Resolved, That, in our grief for the death of Louis John Rudolph Agassiz, while we leave to others the praise of what he has done we find our best consolation in the dignity and purity of his character, in the perfect unselfishness of his life, and in the simple faith and piety which kept pace with his knowledge and sanctified it for a noble use; that to us the lesson of his life is of especial value, as showing one of the brightest examples of courage and patience in the pursuit of truth, and an uncompromising devotion to that which...
...These are specimens of Durer arranged chronologically. That is, the woodcuts ranging from 1505 - 1511 are together, and then follow the engravings commencing with the "Prodigal Son," placed with six others "before 1495," and ending with the portrait of Erasmus, 1526. The two etchings on iron were done in the same year, and hence are introduced together among the engravings...
...number of students in Christ College. There is something very pleasant and even touching in this union under one roof of lives so different as the careless school-boy's, with all the world before him, and the pensioner's in his black gown, with his work all done and only waiting for his dismissal. That most beautiful passage at the end of the Newcomes has been so often quoted that I will not give it here, but only repeat one word, which must bring back that closing scene to any one who has ever read it - a word...
...choice of words, sense and jingle seem ever to be having a Kilkenny cat-fight in the brain of the unfortunate devotee of the "Art of Poetry." And yet poets do unmistakably attain a skill in reconciling thought and metre which is perfectly marvellous. How is it done? And again, can it ever be done without sacrificing something of the thought or something of the metre? As to the latter, in the best works of our great poets, there occur such words as "under," "often," etc., in iambic metre where the accent is required on the last syllable...