Word: donizetti
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...Casa Ricordi in Milan is the world's most fabled storehouse of Italian opera. In 17 zinc cases sunk 45 ft. below the ground, the firm has stored away original operatic manuscripts by most of the great Italian composers, including Donizetti, Bellini, Verdi and Puccini. One discordant note in this musical melange: the firm is under heavy criticism for permitting errors by the thousands to creep into its printed scores-and for refusing to let outsiders compare them with the originals. Last week the criticism grew so loud and bitter that the Italian Senate considered new copyright rules that...
...Australian singing contest, headed for Britain to study at London's Royal College of Music and landed a $28-a-week small-parts job at London's Covent Garden. She "jogged along" until 1958, when she became an overnight sensation in Donizetti's Lucia di Lammermoor...
Stand Up & Sing. Tne music of Nabucco was different from anything the earlier giants of Italian opera-Rossini, Bellini and Donizetti-had ever attempted. The choral writing was stronger, the general style more impassioned. Already Verdi was using his subsequently famous technique of writing sprightly, almost gay tunes for the grimmest situations and somehow getting away with it. Nabucco's weakness is that it has in its score little dramatic unity and that it tends to bog down in mere declamation ("It's one of those stand-up-there-and-sing operas," says Baritone Cornell MacNeil...
...word. Italians want to under stand what's going on." The biggest hit of the festival last week was the world première of a 143-year-old one-acter titled Pygmalion, composed not by a modern twelve-toner but by a talented local boy named Gaetano Donizetti. Written in 1817, when Donizetti was 19, the forgotten opera was rediscovered by Missiroli in an orchestrated version in a box of manuscripts found in Donizetti's house in Bergamo. Equipped with a spirited libretto, it had a fine, rich overture and enough tuneful arias to satisfy any Donizetti...
...audience overlook the opera's gothic absurdities and focus on its moments of real beauty, including Elvira's pre-wedding aria, "Son vergin vezzosa," and her splendid "Qui la voce sua soave," which introduces a mad scene every bit as effective as the more famous one in Donizetti's Lucia di Lammermoor. Her voice was precise, agile, light-textured and luminous. The London Observer praised her "extraordinary beauty of tone,'' and the Daily Mail found in her performance an "almost intolerable poignancy...