Word: donnas
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WHEN WE SET OUT TO ILLUSTRATE A PIECE ON DOMESTIC violence, our picture editors immediately turned to photographer Donna Ferrato. For the past decade, she has focused her energy and camera on the intimate brutalities that shatter the lives of so many American women and children. Says senior editor Nancy Gibbs, who wrote this week's cover story: "It may be that her wrenching photographs have done more to raise awareness than any legal or political debate ever could...
...surprise that Ferrato ended up combining camera and caring. She grew up in Lorain, Ohio, the daughter of a surgical-nurse mother and a doctor father, who was also a dedicated shutterbug obsessed with documenting the everyday life of Donna and her two brothers. Donna's early photographs reflected that peaceful, loving experience, as she concentrated on recording ) the gentle moments of private lives -- Parisians buying loaves of bread, Colorado cowboys and their dogs tooling around in pickup trucks. "I've always been attracted to the good things in people," says Ferrato, 43, "the funny, the quirky and most...
...wife,' he said, 'and I'm going to teach her a lesson.' He wasn't concerned that I was there. That's true of a lot of these men. They're not ashamed of what they're doing. They feel above the law." Shocked and confused, Donna threw the roll of film into a drawer, trying to deny that the beating had occurred. When she finally developed the film months later and looked at the pictures, she resolved never to be silent again. "I realized I couldn't be an accomplice...
COVER: Photograph for TIME by Donna Ferrato -- Black Star; inset, photograph courtesy Rita Collins
...Stoppard word wizardry as well as some wonderfully insipid musical numbers. On board the Italian Castle two writers scramble to put together their musical comedy before the boat reaches New York. In their way are a composer who can't speak, an actor who can't act, a prima donna with whom both the composer and the actor are in love, and an indefatigable porter. As they attempt to find an ending, the two writers offer typically Stoppard commentary on the artificial structure of the musical--both the one they're writing as well as the one they...