Word: donners
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Dates: during 1960-1969
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...Last week the top men in Detroit took a look ahead, agreed that the industry will have another bumper-to-bumper crop, but disagreed-to the tune of about 700,000 cars-about just how good the year will be. Cautious but optimistic, General Motors Chairman Frederic Donner predicted that 1965 sales "could well exceed the long-term trend estimate of 7,800,000 cars and approximate the levels reached in 1964." Chrysler President Lynn Townsend said flatly that "the industry is now in the process of putting two 8,000,000-car years back to back," estimated that...
...looks her over. When the mourners go home, she skips off to her bedroom, rips off her clothes, flips on a station that plays jazz jazz jazz. Her mother protests: "Hardly decent, is it?" Hardly. Many moviegoers, in fact, will find this picture downright scandalous. But Director Jorn Donner is not prurient; he is Priapic. He does not play the facts of life for sniggers; he displays them, like some pipsqueak Plautus, for grand though gross guffaws...
...Dear," she asks at one point in a worried little voice, "do you think we're abnormal?" Whatever anybody else may say, Director Donner most emphatically thinks his lovers are normal, magnificently normal. Sex breaks open the ground of their lives and in it plants the seed of love. The final scenes are subtly realized and beautifully touching, but in one of them Director Donner, a 31-year-old protege of Ingmar Bergman, unfortunately promulgates one of those long long thoughts of youth that may mildly embarrass him when he gets older. Marriage, his heroine announces earnestly, is merely...
Julian S. Schwinger, Professor of Physics, and Robert B. Woodward, Donner Professor of Science, will be among eleven prominent scientists to receive medals in a White House ceremony early next year...
...psychic, Myra, Kim Stanley manages so many subtle shifts of mood that she seems simultaneously sweet, bitchy, poignant, and a deadly menace. The kidnap scene is a cinematic whirlwind, with the camera cutting and lashing across the landscape to build to a moment of crisis when the victim (Judith Donner) locks herself in the back of a limousine while Billy (Richard...