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...will then open in 700 theaters in most of the English-speaking world, and the rest of the globe will wait until early next year. "It's a kids' movie that adults will go to that kids will like," is the rather convoluted way that Director Richard Donner, 48, explains Superman's appeal. "No," says Producer Ilya Salkind, 31, who often disagrees with Donner. "It's an adult picture that kids will see." No, again, says Co-Producer Pierre Spengler, also 31, who sometimes disputes...

Author: /time Magazine | Title: Show Business: Here Comes Superman!!! | 11/27/1978 | See Source »

Salkind and almost always disputes Donner. "It's a kids' movie made for adults...

Author: /time Magazine | Title: Show Business: Here Comes Superman!!! | 11/27/1978 | See Source »

...many sets had been constructed in Italy. At one time a money shortage almost caused production to stop. Marlon Brando had walked off with his $3.7 million for playing Superman's father, but Stamp was told that he could not be paid on time. Tempers were frayed, and Donner and Spengler stopped speaking to each other. With the film in the can and a potential fortune in sight, the old bonds have been renewed. Donner, for his part, is only afraid that there has been too much public buildup. Says he: "It's like a comedian getting...

Author: /time Magazine | Title: Show Business: Here Comes Superman!!! | 11/27/1978 | See Source »

Taken as a whole, however, Superman works, and works well. That is all the more surprising because, despite the years of hoopla over Cannes, real production work did not begin until January 1977, when Donner was brought in as director, Barry, 42, was hired as set designer, and Tom Mankiewicz, 35, was asked to do a third rewrite of the script (after Mario Puzo and the team of Robert Benton and David and Leslie Newman...

Author: /time Magazine | Title: Show Business: Here Comes Superman!!! | 11/27/1978 | See Source »

...SUCCEEDED. Tamsen Donner is both the exact detailing of one woman's movement toward death and rebirth, and a proud, universal protest against decay, as represented by George Donner's "festering wound." Without ever descending to self-pity Tamsen asks: "Must we devour ourselves/in order to survive?" She replies: "I cannot see/how I could bear to live/by eating my friend's death...

Author: By Harte Weiner, | Title: Death and Rebirth | 4/7/1978 | See Source »

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