Word: donning
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Dates: during 1970-1979
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Ruggero Raimondi's Don is a middle-aged, thin-lipped, white-faced sadist, a man more easily pictured flogging cats than seducing women. Raimondi fits in well with Losey's class-conscious interpretation of Da Ponte's text--he sees Don Giovanni as the consummate self-indulgent aristocrat. There's...
The other roles run from the accomplished but not overdone leporello of Jose van Dam to Kenneth Riegel's wooden Don Ottavio. Among the women, Kiri Te Knawa's Donna Elvira stands out as the most musically agile and dramatically subtle. Edda Moser afflicts Donna Anna with an unfocused voice...
Those subtitles give this Don Giovanni a great advantage over live opera, but pose a danger as well. By offering an instant, easily consulted libretto, they restore to the recitative sections the cynical bite normally lost on English-speaking audiences. Future directors. though, would do well to find themselves better...
THE SPECIFIC FLAWS of this Don Giovanni will certainly prevent it from bringing opera to a mass audience, and--despite all that film offers opera listeners, financially and technically--it's doubtful the opera movie will ever go over big. Audiences today have trouble sitting through the two-and-a...
The people who will go see Losey's film are the same people who buy seats for the Metropolitan Opera when it visits Boston each spring, not the great unwashed "masses" who couldn't care less about opera, who would rather see the latest Airport movie than Don Giovanni--or...