Word: donnishly
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Dates: during 1950-1959
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Many have turned to Labor's fastest-rising star and former Chancellor of the Exchequer, Hugh Gaitskell. -The Rivals. Oxford-bred Hugh Gaitskell, sharp-witted and sharp-tongued, was once considered too donnish for the workingman, but now at 49, he has become the right-wing trade unionists' favorite candidate against the rambunctious but embittered left-winger Nye Bevan...
...explains that he expected a minimum of intellectual effort from his audiences and failed to write a successful opera because he was unwilling to "speak of his own emotional life: to exhibit naked feeling appeared as a breach of etiquette." Mild-mannered Cyclopedist Blom, 66, also sharpened up his donnish ax on the Queen's English and "made war" on certain usages that irked him. Among the casualties: GLISSANDO, which Blom calls a "mock-turtle with a French head and an Italian tail . . . unfortunately used by composers anywhere but in Italy," and TONE (used for "note" in twelve-tone...
Boring & Sound. The pale young man with the donnish air was no overnight success. His speeches-meticulously prepared, subtly reasoned, peppered with quiet wit-bored the House. But the ability to bore is rather well regarded in the House of Commons as a sign of soundness. Rab turned from oratory to committee and administrative work to prove his soundness. He was cautious, he was courteous, he never spoke out of turn, he never spoke unless well prepared. His voice was as clear as his logic. "The bullyboys may make the headlines," said a colleague, "but it is to the young...
Britain's Acting Prime Minister Richard A. Butler stood up in the House of Commons one day last week and, for all his determination not to, twanged the bowstring of Britain's royal romance. The Churchill government, announced the dry, donnish Chancellor of the Exchequer, proposes to change the law which designates Princess Margaret as regent should her sister the Queen die before Prince Charles...
...idea of a sort of highborn Oxford, circa 1900, fits the play's alfresco gaieties, elaborate forms, donnish humor and prankish but decorous lovemaking. In individual roles, such players as Joseph Schildkraut and Philip Bourneuf enliven the proceedings. The speeches at times are blurred, but the play's peculiarly Shakespearean finale, with its melancholy charm, is beautifully achieved. Says one of the lovers...