Word: dooms
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...Poets' Theatre burned to the ground in thelate 1960s, and while some people continued itsperformances elsewhere, it was "never the same,"said Master of Ceremonies Peter Davison. "The firespelled doom for the group...
...almost certainly backed Reid's takeover, but the issue of such unsavory support soon became academic. In 1881 Reid married Elisabeth Mills, whose father had an immense fortune: "The Mills millions turned the paper into a hereditary possession . . . In that loss of dynamism were planted the seeds of its doom...
Repeated prosecutions alone will not put the organization out of its deadly business. Veteran observers of the Mob recall the prediction of the imminent demise of the Chicago Outfit in 1943 when its seven highest hoods were convicted of shaking down Hollywood movie producers. The bell of doom seemed to be tolling nationwide in 1963 when Joseph Valachi's disclosures set off an FBI bugging war against the families. In 1975 the most successful labor racketeering prosecution in U.S. history was supposed to have cleaned up the terror-ridden East Coast waterfront from Miami to New York. None of those...
...U.S.F.L., which needed to win megabucks just to stay in business, the verdict may spell doom. The outcome was the sudden-death climax of a game that had more fumbles than the sorriest preseason scrimmage. The U.S.F.L.'s suit was watched with immense curiosity by millions of fans who recognize that pro sports are as much about greed as glory and cheered on by local boosters who feel that no city can call itself big league without a pro-football team. More than mere football, the struggle was redolent of the battles among 19th century steel and rail barons...
...draw the tempting parallels between Vienna's fin-de-siecle and today's end-of-the-century ferment. Sometimes the connections are plain: a brooding eroticism pervaded Viennese art, and today in Manhattan, a well-attended theater piece called Vienna: Lusthaus is heavy with that musky retro scent of doom and libido. The handsome stripped classicism of Loos and Wagner has clear echoes in the architecture of Michael Graves, Andres Duany and Mark Mack. Today as then, the hip bourgeoisie is overeager to embrace bratty, nihilistic expressionist painters. If the confident, public-works liberalism of the 1960s is our version...