Word: dooms
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...more cornball program choices and read and talk through rehearsals. Last week, after one of his own works was greeted by surreptitious hisses at a run-through, Williams finally decided that enough was enough. The conductor-composer, whose most recent score was for Indiana Jones and the Temple of Doom, will turn in his Pops baton at the end of the summer concert series. Applicants for the podium may want to bring along Indiana's bullwhip...
...hand in the six biggest-grossing pictures of all time (E.T. The Extra-Terrestrial, Star Wars, Return of the Jedi, The Empire Strikes Back, Jaws and Raiders of the Lost Ark). Last week the dominant duo shattered some earnings records again with Indiana Jones and the Temple of Doom, directed by Spielberg and co-produced by Lucas. The new film sold $45.7 million worth of tickets during its first week in theaters, compared with $45.3 million for the previous record holder, Lucas' 1983 Star Wars sequel, Return of the Jedi. Indiana Jones beat the single-day record as well...
...parade of celluloid soldiers begins marshaling just before Memorial Day and swells to battalion proportions by the Fourth of July. Their mission: to storm the U.S. box office. Leading this year's assault is that renowned soldier of fortune Indiana Jones; he and his hyperthyroid sequel, Temple of Doom, mounted an early attack on 1,685 movie theaters last week, and in the first two days managed to push up the beach and top the opening of Raiders of the Lost Ark. He is followed by the crew of the starship Enterprise (Star Trek III: The Search for Spock...
Things get worse in the mountaintop hostel; the men who descend to the village to buy provisions are beaten up regularly. Yet no one thinks this strange; no one seems to be afflicted by a foreboding of doom. The book ends flatly, without the customary distant rumbling of a world's end and with no sense of cautionary exhortation by the author. Any such message-that tribalistic savagery is mankind's eternal, bone-bred evil, perhaps-would be excessive. Appelfeld simply and affectingly bears witness, and in the end, his sole, muted voice is more effective than...
Snaking through the movie is a familiar Spielberg theme: the disappearance, and then the welcome return, of children. It illuminates his three most personal movies (Close Encounters, Poltergeist and E.T.) and affirms his belief in movies as a Mechanized Fountain of Youth. Toward the end of Temple of Doom, Indiana leads hundreds of enslaved Indian children out of an underground quarry and into the light. Spielberg means to be another kind of Pied Piper: leading grownups into the darkness of a moviehouse to restore, for a couple of hours at least, the innocence of childhood in all its wonder...