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Though simple and evenhanded, the Hall-Rabushka plan has at least two features that probably doom it politically. First, it calls for a low 19% tax rate on even the richest of taxpayers. Second, it does away with many tax preferences, like the deduction of mortgage interest, that millions of Americans rely upon...

Author: /time Magazine | Title: Tax Ideas from Flat to VAT | 4/16/1984 | See Source »

...thread of folly that runs through Barbara Tuchman's books is a filament of doom. In The Guns of August, a wrongheaded French strategy in the first days of World War I leads inexorably to the deadlock of the trenches. The tensions and energies of fin-de-siéde Europe and America in The Proud Tower are primed to explode in that same war. And the chaos of the 14th century becomes A Distant Mirror of the modern distemper...

Author: /time Magazine | Title: Books: The Downhill Road from Troy | 3/26/1984 | See Source »

...squabbling among his advisers reinforced the President's deep distrust of economists. In a January radio address, he described economic forecasting as "far from a perfect science" and called economists "naysayers" and "doom criers." Though Rea gan was never a doctrinaire supply-sider who believed that deficits were nothing to get too concerned about, the President apparently refuses to believe that the budget gap will be as big and as harmful as Feldstein thinks...

Author: /time Magazine | Title: That Monster Deficit | 3/5/1984 | See Source »

...next shot shows Lear's huge, imposing castle which rises suddenly and rather unnaturally out of the ground, dwarfing the peasants who in comparison look like a bunch of ants swarming on an anthill. Heightened by the effective use of Dmitry Shostakovich's operatic score, the feeling of impending doom is made clear even before a word of the script has been said...

Author: By Mary F. Cliff, | Title: Above the Language Barrier | 2/17/1984 | See Source »

...misplaced. In the old noirs, women were mostly seen as black widow spiders, luring the wimpish male toward his doom. Placing a new, healthy vision of female strength in the old context is a beguiling notion. Not that Truffaut lingers over his cleverness in providing recall with a subtext. Mostly he is concerned with driving his vehicle along at a great pace, so that no one notices the occasional knocks in the engine or the potholes in the plot. With help from his cinematographer, Nestor Almendros, who perfectly captures the sleazy artiness of those long-ago B pictures, Truffaut runs...

Author: /time Magazine | Title: Cinema: Lady in the Dark | 1/30/1984 | See Source »

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