Word: dooms
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...there is the late Richard Jordan's Armistead, the film's great romantic, haunted by the fact that he must meet his best friend in battle -- haunted too by his unrequited love for the man's wife. ''Virginians! Who will go with me!'' he cries, rushing to his gallant doom. All these performances are touched with a sense of rue, a sense of lives caught up in forces they cannot master. This, together with our knowledge of the dreadful cost of the battle, lends a terrible poignancy to the film. The fact that Maxwell struggled for a decade to realize...
...movie falls short only of theme-park 3D attractions, like Walt Disney World's "Honey, I Blew Up the Kids," where you get spritzed at the end. Journey also has a runaway-tram ride that will remind you of the one in Indiana Jones and the Temple of Doom, but which I'd like to think is a tribute to the roller-coaster ride in the 1953 movie This Is Cinerama (another gimmick process that premiered in the middle of the original, short-lived 3D craze...
Still, the winters really are great! And this doom-and-glooming might sound familiar. In 1981, TIME declared crime- and drug-plagued South Florida a "Paradise Lost." The region then embarked on an epic boom. Southeast Florida - including Miami, Fort Lauderdale, West Palm Beach - ballooned into the nation's seventh largest metro, while southwest Florida - Naples, Cape Coral, Fort Myers - became the fastest-growing metro. Last year 82.4 million visitors found their way to this lost paradise. And last month Governor Charlie Crist unveiled a $1.75 billion deal to buy the U.S. Sugar Corp. and its 187,000 acres...
...length and breadth of the Valley of the Shadow? Kennedy was born into wealth, nursed on power and indulged in every appetite--but the one luxury denied him was the illusion of immortality. After his brothers John and Robert were assassinated in 1963 and 1968, a suffocating sense of doom settled over him, and many years passed before he realized that his life story would have all its pages...
...into some kind of mountain. Every Indy films opens this way, from one monument to another. (As Veronica Geng wrote in a review of the first movie, "Spielberg" is German for "play mountain.") In Raiders the logo became a mountain in South America; in the second film, Temple of Doom, a bas-relief on a Chinese gong; in The Last Crusade a big boulder in Utah. This time, suggesting more modest aspirations, or maybe kiddingly deflecting the audience's gargantuan expectations, it's a weeny prairie dog hill, from which a critter emerges just before being nearly run over...