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...directors usually make up for the lack of performing skill by choosing off-beat plays; and this summer was no exception. The company kicked off with Goodrich & Hackett's The Great Big Doorstep, and followed it with two of Eugene Ionesco's avant-garde one-acters: The Lesson; and Jack, or the Submission. Neither of the last two is in a class with Ionesco's The Chairs; but both are intriguing if too drawn out dramatizations of his thesis that people just cannot communicate sufficiently through language. Jack was more imaginatively staged here than the New York production last year...

Author: By Caldwell Titcomb, | Title: Local Drama Sparks Summer Season | 9/21/1959 | See Source »

...sure who owes her what. "It is embarrassing to ask for money," she says. Even so, she makes enough to maintain a Bombay apartment and a summer home in the hills. She has a Chrysler, a Chevrolet, five long-haired Pomeranians, and a constant army of beggars on her doorstep...

Author: /time Magazine | Title: CINEMA ABROAD: Indispensable Queen | 8/31/1959 | See Source »

...rest of his days, Norwegians heaped contempt on the old recluse they had once revered as "the giant of the North." Thousands of copies of his famed novels were mailed back to him or dumped on the doorstep of his south coast farmstead. Before he died in 1952, a Norwegian court blocked all the old man's bank accounts, imposed a fine of 425,000 kroner ($86,000), which was later reduced to 325,000 kroner...

Author: /time Magazine | Title: NORWAY: Put Out Three Flags | 8/17/1959 | See Source »

...program note, The Great Big Doorstep, by Frances Goodrich and Albert Hackett, is referred to as "a wholesome antidote to the heavy exposure of Deep South Depravity to which readers and playgoers were already being subjected." The fallacy in this statement is that, while depravity can at least cause a warm tingling sensation up and down your groin, the only emotion induced by prolonged exposure to innocuousness is sheer boredom...

Author: By John Kasdan, | Title: Tufts Theatre Opens | 7/9/1959 | See Source »

...Doorstep, at the Tufts Arena through this Saturday, concerns itself, if not the audience, with the problems the Crochet family in Louisiana encounter in trying to raise money for a new home. In order even to make the show bearable an extremely high level of acting is called for, especially in the parts of Mr. and Mrs. Crochet and their daughter Erie. This level the Tufts group does not provide. They fail, both in their line readings and in their movements, to convey any real feeling. Marilyn Rawlins as Mrs. Crochet fails less than the others. But the largest share...

Author: By John Kasdan, | Title: Tufts Theatre Opens | 7/9/1959 | See Source »

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