Word: doped
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Dates: during 1980-1989
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...South America, where he had, as he puts it, "whispered interviews with cocaine traffickers in Rio nightclubs, a clandestine meeting with one of Panama's most influential smugglers, and spirited political discussions with coca plantation owners in Bolivia." But given the sheer size, profitability and economic importance of the dope trade, Beaty says, "it wasn't surprising that some of my most secret meetings were held not with cocaine barons but with hard-pressed Latin American prosecutors or opposition politicians, who described the involvement of their country's military and political establishment...
...pair is taken into protective custody by Detective John Book (Harrison Ford, in a shy, gruff, well-controlled performance). But when Samuel identifies the killer as a policeman, and Book discovers that the man is part of a dope ring that includes other police officers, it is he who needs protection. Shot by the murderer, Book hides out on Rachel's farm, where his wound is healed by folk medicine. But his presence is resented by the Amish. They are kindly but stern people who understand that threats to their way of life can come in benign forms...
...Nobody is going to run me out of this town," Tambs vowed. "I'm staying to continue the fight together with the Colombian government to get rid of the dope business." Nonetheless, State Department Spokesman Alan Romberg announced that the U.S. would temporarily be "reducing our official profile in Colombia." At least a dozen of the embassy's 187 U.S. employees left the country last week with their families. Americans are not the only ones at risk. Says Tambs: "I have information that all the Colombian Cabinet ministers and the President himself have received death threats ever since...
...separates children on the nuclear question. Coles talks of his discussions with poor Pueblo children in New Mexico, who evince more skepticism for the "Anglo World" than interest in nuclear weapons. He talks of Black children he knows in Roxbury, who mention not nightmares of nuclear blasts, but of "dope and coke and smack and needles and syringes and booze, bottles and bottles of booze, and a future of no work, no work...
Energy−atomic, unharnessed, virulent−abounds in Chicago's Steppenwolf Theater Company revival of Balm in Gilead, the Lanford Wilson dope opera that was first produced in 1965. The set may depict a grungy, all-night coffee shop on Manhattan's Upper West Side, but it soon takes on the sulfurous glow of the lower depths: a rush-hour subway car, say, some time during World War III. Junkies, hookers, drag queens, derelicts, ganefs and hit men rub up against Joe (Danton Stone) and Darlene (Laurie Metcalf), a couple too amiable or dense to survive the Nighttown...