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Word: doped (lookup in dictionary) (lookup stats)
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...Come off it- that's not the Mississippi Heart Hand. Any dope could trap somebody with that. Here is the real hand...

Author: /time Magazine | Title: Letters, Oct. 13, 1958 | 10/13/1958 | See Source »

...mother get hooked and degenerate into a slavering junkie who pads down with anybody who will give her the money for her morning fix. Inevitably, Nick starts to torch up himself. His salvation is Magazine Writer Holloway, who is doing a series of taped interviews on the dope trade...

Author: /time Magazine | Title: Books: The Wire-Recorder Ear | 8/11/1958 | See Source »

...sources, Bartholomew made plain, was U.S. Ambassador Henry J. Taylor, onetime radio commentator, who was quoted: "The most vicious bullet the Reds have in the cold war is the dope traffic." Swiss newspapers angrily demanded the ambassador's recall, and told their readers that he was the same Taylor "who once wrote sensational stories about flying saucers." Taylor and Bartholomew issued conflicting versions of their interview; the Swiss government summoned Taylor to tell him that they were "not enchanted," and the U.S. State Department apologized to the Swiss for the "embarrassment caused...

Author: /time Magazine | Title: THE MIDDLE EAST: Facing Facts | 8/4/1958 | See Source »

...quality that bombards the customers as they settle down to hear the rousing overture of the show, a quality that wreathes the Majestic Theater with a sunny-day-at-the-farm euphoria. In a fat Broadway season whose successes deal so clinically with such subjects as marital frustration, alcoholism, dope addiction, juvenile delinquency and abortion, The Music Man is a monument to golden unpretentiousness and wholesome fun-one of the happiest chemical explosions to hit the street since John Philip Sousa himself marched grandly into town, as the Music Man says, when...

Author: /time Magazine | Title: Theater: Pied Piper of Broadway | 7/21/1958 | See Source »

...nothing but the music within him. So he played, badly at first, but doggedly, and at last The Horn became so good that jazz fans and jazz pros alike revered him. There was always too much booze, and when it failed to give him the kicks he needed, the dope pushers showed another way. At the end, Pool lost his virility, his musical control, his desire to live. He was alone, even when the joint was crowded. And he lived just long enough to hear a young newcomer blow him off the stand...

Author: /time Magazine | Title: Books: Beyond the Blues | 7/21/1958 | See Source »

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