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...addition, the show posed difficulties for the producers, says Co-Producer Ricardo J. Dopico '89. He said he was forced to approach the logistics of producing "Evita" differently than he would a smaller production. On the Mainstage, he says, producers oversee the operations behind the scenes while a large crew takes care of more menial tasks. In a smaller show the producers often end up taking care of most of the minute details themselves, he says...

Author: By Melanie R. Williams, | Title: The Musical Makes a Comeback | 11/18/1988 | See Source »

...have to delegate more authority in a Mainstage production," Dopico says. "In a house production you may be responsible for getting the props and building the set yourself. In a Mainstage you have someone in charge of getting props, a master technician, and a master carpenter...

Author: By Melanie R. Williams, | Title: The Musical Makes a Comeback | 11/18/1988 | See Source »

...choosing the show's cast, Fratto, Corbett and Dopico, as well as the show's choreographer. Rebecca C. Shannon '89, auditioned a total of about 150 people and called back four or five actors for each of the six major roles...

Author: By Melanie R. Williams, | Title: The Musical Makes a Comeback | 11/18/1988 | See Source »

Meanwhile, in an "All That Jazz" class at Peabody School, Cabot House resident Gigi M. Dopico '86 helps the dance instructor control a dozen three-to 13-year-olds on a particularly rowdy Friday afternoon. While the teacher shows the kids how to "roll-slap-clap-slap-roll" to the tune of Michael Jackson's "Thriller," Dopico is busy one minute consoling a girl with a sore throat who can't dance, but who can run all around the auditorium, the next minute jumping around on stage, helping the smallest girl in the class remember when to clap and when...

Author: By Carol M. Losos, | Title: Those Who Lend a HAND | 11/21/1985 | See Source »

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