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...nether border of the Negro's world is Central Park. From just one block north, the fresh breezes and greenery seem a planet distant. Here is 111th Street, between Fifth and Madison Avenues, infested with prostitutes and dope addicts. Up a ways, at 118th and Lenox Avenue, is "junkie's corner," and at the New York Central overpass at 125th Street, over which suburban commuters ride every day between air-conditioned offices and well-kept homes, Negro prostitutes wait for white johns who know the spot and drive by in their cars...

Author: /time Magazine | Title: Nation: No Place Like Home | 7/31/1964 | See Source »

Councillor Alfred E. Vellucci continued his battle for a healthier Harvard in the City Council yesterday with an emphatic denunciation of alleged dope peddling in the Square area...

Author: NO WRITER ATTRIBUTED | Title: Dope Peddlers Push in Square, Vellucci Informs City Councillors | 5/19/1964 | See Source »

Dean Watson said last night that the University "would not tolerate" the use of dope by any students. He emphasized that national, state, and city police officials were constantly on the lookout for any peddling in the Square area and that the University was always willing to cooperate with the various agencies. But Watson indicated there was nothing alarming in the present situation...

Author: NO WRITER ATTRIBUTED | Title: Dope Peddlers Push in Square, Vellucci Informs City Councillors | 5/19/1964 | See Source »

...next generation: "Our youngsters at least begin the shift from a whisky culture to a dope culture...

Author: /time Magazine | Title: Books: Quick! Everybody Take Cover | 5/15/1964 | See Source »

...white creatures spit bullets in Mr. Charlie's small Southern town. Baldwin's battle of the races pits Lyle Britten (Rip Torn), a poor-white grocery-store keeper, against Richard Henry (Al Freeman Jr.), an ex-dope addict recently returned from New York and the son of the local Negro pastor. Both men are deformed spirits, the white envenomed by poverty, the Negro by hatred of his father and his father's compromises with oppression. Arrogant, mocking, indefensible in his behavior, Henry humiliates Britten in front of Britten's wife. The white man demands an apology...

Author: /time Magazine | Title: Theater: Of Hurt & Hate | 5/1/1964 | See Source »

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