Word: dorabella
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...orchestrate his con. Both Roberts and Reinert carry the production with their strong voices and ability to lend just the right mixture of levity and profundity to each scene.At its core, “Così fan Tutte” revolves around the fate of two couples—Dorabella and Guglielmo, played by Melinda N. Biocchi ’08 and John D. Kapusta ’09, and Fiordiligi and Ferrando, portrayed by Cavallaro and Noah Van Niel ’08 respectively. In Saturday night’s performance, Cavallaro overcame her illness to deliver a strong...
...orchestrate his con. Both Roberts and Reinert carry the production with their strong voices and ability to lend just the right mixture of levity and profundity to each scene.At its core, “Così fan Tutte” revolves around the fate of two couples—Dorabella and Guglielmo, played by Melinda N. Biocchi ’08 and John D. Kapusta ’09, and Fiordiligi and Ferrando, portrayed by Cavallaro and Noah Van Niel ’08 respectively. In Saturday night’s performance, Cavallaro overcame her illness to deliver a strong...
...because it is not large she shies away from the heavy Verdi and Puccini, not to mention Wagner. She may be ready for some of that music in five to ten years, although she herself doubts it. For now it is enough that she sings Mozart (Cherubino in Figaro, Dorabella in Cost fan Tutte) with exquisite taste, control and sheen. Or that she can blend the impetuous and the spiritual so deftly as Nina in Thomas Pasatieri's The Seagull, or the childlike and the vulnerable so magically as the heroine of Debussy's Pelleas et Melisande. Starring...
...languor of an autumnal afternoon and the oaken mellowness of a Worcestershire estate, the Royal's dancers bring to life the Malvern Circle of friends whom Elgar referred to, by initials or nicknames, in his score: among them, the brusque, exuberant Troyte (Anthony Dowell), the gay, pensive teenager Dorabella (Sibley), and the romantic, home-loving Lady Elgar (Beriosova). Center and focus of the piece is its grave ringmaster, Elgar (Derek Rencher), who is at once observer and participant in a demimonde of amity...
Margaret Yaugher, mezzo, as Dorabella, with her firm rich tones was a mainstay of the ensembles, and Mary Sindoni, her sister Fiordiligi, has the perfect combination of a strong, flexible soprano voice and a genuine flare for high comedy. The chorus was charming and vivacious, except when changing scenery, but when they sang all the world was young and in love and healthy...