Word: dorati
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Dates: during 1970-1979
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Haydn: The Seasons (Soprano Ileana Cotrubas, Tenor Werner Krenn, Bass Hans Sotin, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Dorati conductor, London; 3 LPs). This is Haydn's other major oratorio, structurally less cohesive and dramatically less powerful than The Creation, but a work in which the aging composer set out to demonstrate all that he could do in a wide range of styles and forms. In other words, a compendium of glories. The text, from James Thomson's panoramic poem written in 1730, inspires passages of musical landscape painting, evocations of the hunt, human scenes of yeomen...
...goes in spurts. For years major U.S. orchestras are under the baton of an established conductor. Then one or two podiums open up, and suddenly a game of musical chairs is under way. Right now that game has never been livelier. Antal Dorati has taken over in Detroit, leaving Washington, D.C.'s National Symphony to Mstislav Rostropovich. St. Louis has plucked young American Leonard Slatkin from New Orleans. San Francisco selected Edo de Waart from Rotterdam, after Seiji Ozawa relinquished that post to concentrate on his other job in Boston. Minnesota has grabbed two top Europeans: Britain...
...Antal Dorati, 72. The elders of the Detroit Symphony needed someone who "could turn the orchestra around" when they picked Dorati. He has wasted no time planning several festivals, an international tour and a batch of recordings. "Detroit had not traveled much and had made no recordings in well over a decade," says the maestro. "I am the archenemy of that kind of routine." Dorati is an old-school, tremendously versatile conductor whose artistic innovations are matched by his administrative skill. "Mr. Dorati could even run General Motors," says President Robert Semple. That is the ultimate Detroit accolade...
...almost completely ignore Antal Dorati-the genius who made the National Symphony worthy of a Rostropovich; who worked similar miracles with the London, Stockholm, BBC and Minneapolis symphonies; who has-almost sin-glehanded-created a Haydn revival; and who has championed the works of countless contemporary composers...
...festival began appropriately enough with the symphonies. Dorati led the National in crisp, meticulous performances of Nos. 1, 52 and 104 the first night, and Alexander Schneider led the Curtis Institute Orchestra surgingly in Nos. 6, 7, 8, 22 and 35 on the second and third. It was enough to demonstrate that the Austrian court composer who had once dined at the servants' table was one of the most astounding revolutionaries in all musical history. Haydn did not invent the idea of the symphony. But when he picked it up, the symphony was the most innocuous of musical forms...