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Bartok: Concerto for Orchestra (Minneapolis Symphony conducted by Antal Dorati; Mercury). The fourth LP of a contemporary classic, this version has the distinction of dazzlingly clear and closeup sound, presumably authentic interpretation by one of Bartok's pupils and performance by a fine orchestra...

Author: /time Magazine | Title: Music: New Records, Sep. 27, 1954 | 9/27/1954 | See Source »

Copland: Symphony No. 3 (Minneapolis Symphony conducted by Antal Dorati; Mercury). A major work by a man who has done as much as anybody to establish a modern American style of concert music. The symphony is broadly conceived, includes a bubbling scherzo, and, by use of spacious, interwoven patterns, manages to give the effect of melody without ever quite stating...

Author: /time Magazine | Title: Music: New Records, Nov. 23, 1953 | 11/23/1953 | See Source »

...Coriolanus Overtures (Joseph Keilberth conducting the Berlin Philharmonic and Bamberg Symphony Orchestras; Capitol-Telefunken); Liszt: Spanish Rhapsody (Miklos Schwalb; Academy); Mozart: Requiem (Hilde Gueden, Rosette Anday, Julius Patzak, Josef Greindl, Salzburg Dome Choir; Mozarteum Orchestra conducted by Josef Messner; Remington); Rimsky-Korsakov: Scheherazade (Minneapolis Symphony Orchestra conducted by Antal Dorati; Mercury) ; Schubert: A Song Recital (Herman Schey, bass-baritone; Poly music); Tchaikovsky: "Pathétique" Symphony (Philadelphia Orchestra conducted by Eugene Ormandy...

Author: /time Magazine | Title: Music: New Records, Sep. 29, 1952 | 9/29/1952 | See Source »

French Orchestral Masterworks (Minneapolis Symphony, Antal Dorati conducting; Mercury). Ravel's Pavane Pour une Infante Défunte and Debussy's Three Nocturnes receive clean, vigorous performances that are a shade too sturdy for their moods of fragile classicism and vaporous impressionism; the orchestra sounds fine in Berlioz' Roman Carnival Overture. Recording: realistic, with a wide range of volume...

Author: /time Magazine | Title: Music: New Records, Jun. 30, 1952 | 6/30/1952 | See Source »

Kodaly: Psalmus Hungaricus (Gabor Carelli, tenor; North Texas State College Chorus, Dallas Children's Choir, the Dallas Symphony Orchestra, Antal Dorati conducting; Victor, 6 sides, 45 r.p.m.). Composed in 1923 to mark the soth anniversary of the union of the twin cities of Buda and Pest, this is probably 67-year-old Zoltan Kodaly's best work; in it is some of the most brilliant choral writing of the century. Performance and recording: excellent...

Author: /time Magazine | Title: Music: New Records, May 29, 1950 | 5/29/1950 | See Source »

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