Word: dore
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Dates: during 1940-1949
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...gospel of Christ is through movies." Then Mr. Rank went about his own-and the Empire's-business, which is to spread British movies all over the globe. In a swirl of breakfasts, luncheons, teas, cocktail parties and after-theater snacks, he confabbed with RKO Production Boss Dore Schary, 20th Century-Fox Boss Spyros Skouras, who is an old friend, John D. Rockefeller Jr. and Railroader & Picturemaker Robert R. Young, who will show Rank around the U.S. in his private car. They all listened to Mr. Rank with respect. As one shrewd U.S. movieman said: "Rank...
...point, the emotional maladjustments of this unhappy quartet are pictured with realism and honesty. But an honest solution to all their complex problems would certainly have endangered the film's entertainment possibilities. Producer Dore Schary took no such risk. After a bang-up barroom brawl and an exchange of neat, safe platitudes, everything at the fade-out is suddenly just dandy for everybody...
...picture is very far from being a total loss. Joseph Cotten's muted, excruciating performance is the best single guarantee of that; some moments of deep warmth and sympathy from Miss Rogers are also valuable. And the rest of the cast and David O. Selznick, Producer Dore Schary and Director William Dieterle have done a good many unpretentiously remarkable things...
Mouse as Man. Those plates, chief foundation of Dore's fame, pictured a mythology already "sanctioned in literature." They also expressed some of the undertows of unsanctioned emotion-no less than do the dream-found images of modern surrealism. Over-attached to his mother, Gustave Dore had a thousand half-faced adult fears to put at the disposal of his talent for the macabre...
Foreshadowing the fruition of that talent is the earliest of the 23 drawings with which Author Lehmann-Haupt records the growth of Dore's style. It is the childhood vision of his Strasbourg schoolroom. Its squirming, unposed action bespeaks an eye that never let go of much (an asset unmistakable in a later-year impression of a London crowd, which echoed the same theme of hellishly snarled humanity). In the early schoolroom satire there is also more than a suggestion of how little the artist was ever able to let go of his mother. When she died...