Word: dore
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Dates: during 1950-1959
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...Gimmicks. Not all of filmdom's new gimmicks turned out so well. Most moviemen were agreed that 3-D is dead. But 3-D had left some benefits behind. Said M-G-M Production Boss Dore Schary: "The defeating factor was the eyeglasses. But 3-D was . . . responsible for the upturn in the movie business . . . It showed that the people wanted something new and would...
Even in its old ruts, Hollywood showed more get-up-and-go. William Wyler's Roman Holiday and Dore Schary's Dream Wife were sure, expert comedies of a kind rarely made in the U.S. since the mid 30's George Stevens' Shane was a western evolved with loving care for the beauty of the land it was set in, and Escape from Fort Bravo took a fresh look at Hollywood's tired old Indian wars. Fred Zinne-man's From Here to Eternity did far more than the usual crude job of shoveling...
...this business," says Tiomkin, "they begin to follow with these ideas. First Dore Schary called on account of High Noon and said. 'Dimitri, I need song from could be good infantry march.' " Tiomkin wrote Take the High Ground and Hold It for MGM's Take the High Ground. Then he composed the theme for Return to Paradise...
Grossinger's also polished up the early careers of Actress Shelley Winters, Comedienne Betty Garrett, Film Producer Dore Schary (who was once editor of the weekly Grossinger News) and Metropolitan Opera Baritone Robert Merrill...
Daniel Deykin, History and Literature; Clement J. Dore, Jr. English; Joseph A. Dubay, Mathematics; Joseph L. Durham, Government; Maurice J. Elovitz, Romance Languages and Literatures; Thomas E. Everhart, Physics; Gerald P. Fitzgerald, Latin; Paul Fruit, Economics; Paul W. Gabler, History; Sumner J. P. Germain, English; Gordon J. Gilbert, Biology; Walter Gilbert, Chemistry and Physics; Thomas J. Gill, 3d, Chemistry; Samuel V. Gilman, Jr., History; Mark L. Goodman, History and Literature...