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Even in its old ruts, Hollywood showed more get-up-and-go. William Wyler's Roman Holiday and Dore Schary's Dream Wife were sure, expert comedies of a kind rarely made in the U.S. since the mid 30's George Stevens' Shane was a western evolved with loving care for the beauty of the land it was set in, and Escape from Fort Bravo took a fresh look at Hollywood's tired old Indian wars. Fred Zinne-man's From Here to Eternity did far more than the usual crude job of shoveling...

Author: /time Magazine | Title: Cinema: The Year in Films | 12/28/1953 | See Source »

...this business," says Tiomkin, "they begin to follow with these ideas. First Dore Schary called on account of High Noon and said. 'Dimitri, I need song from could be good infantry march.' " Tiomkin wrote Take the High Ground and Hold It for MGM's Take the High Ground. Then he composed the theme for Return to Paradise...

Author: /time Magazine | Title: Cinema: Theme Song | 9/14/1953 | See Source »

Grossinger's also polished up the early careers of Actress Shelley Winters, Comedienne Betty Garrett, Film Producer Dore Schary (who was once editor of the weekly Grossinger News) and Metropolitan Opera Baritone Robert Merrill...

Author: /time Magazine | Title: Music: Bonanza, Country-Style | 7/27/1953 | See Source »

Daniel Deykin, History and Literature; Clement J. Dore, Jr. English; Joseph A. Dubay, Mathematics; Joseph L. Durham, Government; Maurice J. Elovitz, Romance Languages and Literatures; Thomas E. Everhart, Physics; Gerald P. Fitzgerald, Latin; Paul Fruit, Economics; Paul W. Gabler, History; Sumner J. P. Germain, English; Gordon J. Gilbert, Biology; Walter Gilbert, Chemistry and Physics; Thomas J. Gill, 3d, Chemistry; Samuel V. Gilman, Jr., History; Mark L. Goodman, History and Literature...

Author: By David L. Halberstam, | Title: Elmer Davis Details Threats To Survival of Civilization | 6/9/1953 | See Source »

...torn down, no costly lenses bought. Best of all, the backlog would be safe. Almost all the old pictures could be projected to fill the new, not-so-wide screens. True, about 25% would be lost from the top or bottom of the picture, but as Metro's Dore Schary sanely said. "All you lose is air, anyway." For a few actors' heads the public would probably not argue the point. The first of the "retreads" to be shown on wide screen, Paramount's Shane and Universal's Thunder Bay, have done a huge business...

Author: /time Magazine | Title: Cinema: Strictly for the Marbles | 6/8/1953 | See Source »

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