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...Dorfman??s dramatic thriller, which won the prestigious Olivier Award for Play of the Year in 1991, is a three-person show about the violent confrontation between a rape victim and the man she believes is her attacker. Set in 1993 in a South American country resembling Chile—which Dorfman fled in 1973 after Augusto Pinochet came to power in a bloody coup—”Death and the Maiden” begins with Paulina Escobar (Carla M. Borras ’05) listening to the news that her husband Gerardo (Rupak Bhattacharya...

Author: By Douglas G. Mulliken, CRIMSON STAFF WRITER | Title: Death of Innocence | 10/31/2002 | See Source »

Although Stevens says he enjoyed reading Dorfman??s play, he thought it would be too forced on the stage. Luckily, Harvard connections helped Stevens get in touch with Rafael Yglesias, the screenwriter who adapted Dorfman??s script. Rafael’s son, Matthew G. Yglesias ’03, lived across the hall from Stevens as a first-year. “So I e-mailed him and he hooked me up with his dad,” Stevens says...

Author: By Douglas G. Mulliken, CRIMSON STAFF WRITER | Title: Death of Innocence | 10/31/2002 | See Source »

Rafael Yglesias sent him a copy of the screenplay, which Stevens says he liked considerably more than Dorfman??s original script. However, certain aspects of Yglesias’ screenplay would have been impossible to stage in the Adams Pool Theater, like the climactic final scene of the movie. So Stevens decided to mix-and-match parts of the film and play...

Author: By Douglas G. Mulliken, CRIMSON STAFF WRITER | Title: Death of Innocence | 10/31/2002 | See Source »

Although Stevens says he enjoyed reading Dorfman??s play, he thought it would be too forced on the stage. Luckily, Harvard connections helped Stevens get in touch with Rafael Yglesias, the screenwriter who adapted Dorfman??s script. Rafael’s son, Matthew G. Yglesias ’03, lived across the hall from Stevens as a first-year. “So I e-mailed him and he hooked me up with his dad,” Stevens says...

Author: NO WRITER ATTRIBUTED | Title: Douglas G. Mulliken | 10/30/2002 | See Source »

Rafael Yglesias sent him a copy of the screenplay, which Stevens says he liked considerably more than Dorfman??s original script. However, certain aspects of Yglesias’ screenplay would have been impossible to stage in the Adams Pool Theater, like the climactic final scene of the movie. So Stevens decided to mix-and-match parts of the film and play...

Author: NO WRITER ATTRIBUTED | Title: Douglas G. Mulliken | 10/30/2002 | See Source »

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