Word: dorinda
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Dates: during 1950-1959
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...group of madrigals and chansons, performed with a semichorus, went very well save for a couple of imprecise entrances. Outstanding was Monteverdi's Dorinda, with its tortured Mannerist harmonies. "The Promise of Living," from Copland's opera The Tender Land (1953), went far better than on the Chorus' telecast, owing to the use of more singers and rehearsals. The opera was not considered a success; but the criticism was aimed at the libretto and dramatic structure. The music was always warm and limpid...
...group of Renaissance secular pieces fared moderately well. They have no accompaniment, and occasionally suffered from insecure pitch. Lassus' Mon coeur went too slowly for my taste; and Monteverdi's dramatic early Baroque madrigal Dorinda lay a bit high for the sopranos. Schmidt wisely used only an octet for Mauduit's Enparadis, a charming example of vers mesure, in which the musical rhythms follow those of the spoken text...