Word: dorma
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Dates: during 1980-1989
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...Russell was made for Aria. The music is Nessun dorma from Puccini's Turandot; the images are the last frenetic dreams of a dying woman. Ancient astral priests dress her for a mysterious ritual: paint on her body, diamonds on the soles of her feet, finally a branding iron pressed to her lips. A rude flash, and we see the scene of a car accident. The jewels are mortal wounds, the priests surgeons, the vision one of hope and fear for the unknown world that follows death. Visually, Russell's sequence is pitched at see above high- see. Emotionally...
...allowed Pavarotti to toss off the famous nine high Cs in an aria from Donizetti's La Fille du Regiment with the effortless abandon that marks only the greatest tenors? What has happened to the suave phrasing and sure sense of style, which made his recording of Nessun dorma from Turandot an example to musicians everywhere? Have Pavarotti's duties as operatic emissary to the world begun to interfere with what got him the job in the first place-his voice? The answer, alas, appears...